Lockdown 10 (almost a fortnight since the last one)

And what have I been doing since?

Finished the June ‘draw every day’ gallery and started July.

Edlington Woods 1

Edlington Woods 1

Edlington Woods 2(primrose)

Edlington Woods 2(primrose)

Started some new paintings and finished some others. I’ve got two series on the go at the moment, one is a series of Edlington Woods paintings, details of the floor mostly, and the other is a series of collared doves and pigeons in the garden.

Collared Dove

Collared Dove

I’ve continued work on the five/six Balby garden sculptures, trying out finishes with oils and gold leaf with varying measures of success.

Balby Garden 2 (in progress)

Balby Garden 2 (in progress)

I’ve also continued to work on the VR piece, ‘et in arcadia ego’, a journey through a series of gardens with photographic memories inserted withour explanation. This piece was put forward for the Cast theatre scratch night initiative in Doncaster. The tentative working title gives the clue to my intentions. For me the beginnings come from Poussin by way of TS Eliot’s Four Quartets, but rather than the merely elegiac I want (now) to look back to Sannazaro’s original interruption of the idyllic retreat with a dark dream that forces you back to reality where things have inevitably changed.

The last thing for this post is that the piece was accepted for the Scratch Night, so it should be going online somehow, as a work in progress, to draw comments from a panel of arts professionals.

ACE announced that the Lottery Project Grants are returning on the 22nd of July and Barnsley NHS have been in touch to advance the organ donation memorial.

Lockdown Nine (the most bored week so far…)

This gallery has the continuation of my ‘draw every day’ attempt, so far I’ve managed every day since the 6th May

and now through June since the 6th.

I continued with the scyulptures, making six maquettes last week.

These are using the cast plaster rocks and the steel rod. I managed to submit for the Cast ‘Scratch Night’, that might be interesting (if I get it) and continued working on the ‘et in arcadia ego’ models.

I finished this painting.

Still life with fox jaw, lemon and dried rose

There is now a set of five of these,

each 10 inch square, oil on board, an attempt to relearn painting by drawing directly with paint onto the board. The middle one is in the Doncaster Art Fair competition on line and I’ve got my fingers crossed.

I’ve tried gilding the first of the small sculptures, that and painting being the next step, and it looks like this now

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

Still thinking about the VR work and how to build a structure to house the experience. Also varnishing BGNo5 and finishing the others.

Still difficult to focus thoughts on the work as its impossible to get away from it!

 

Lockdown Eight (Too busy to think)

Another lazy post, been too busy gardening and prevaricating since the last one.

small painting gif ‘fox jaw’

I made this small painting, and I entered the last one into an online competition…

It’s there on the right, you can click this link to vote for it https://www.doncasterartfair.com/?pgid=kb84pw6k-c20b0fd7-b161-42b3-ac0a-0086832b9f2e but I don’t really stand a chance, the final 30 are picked through the online vote and half an hour in some of these had 500+ votes. I don’t know enough people online. It was free to enter though.

I’ve been continuing to work on the ‘gardens’ project, tentatively titled “et in arcadia ego” the viewer moves through a series of gardens, all the gardens I’ve spent time in. I think its about the pursuit of quiet spaces, the expanding and contracting nature of safety – mental and physical – and the chimeric nature of confidence (for a start).

This is the first space, the back yard at Glover Street in Birches Head, Hanley, Stoke-on-Trent. The spaces will eventually lead to the garden I used for geranium and I’m working on a post explaining the concept fully for a new funding bid (small funds but tech support).

I’m building sculpture this week, I’ll post it next week or on the internet as I go.

Lockdown Seven (another lazy post)

Update on the #draweverydayinmay2020

I kept going until I had 31 days worth, and I’ve drawn on the two days since, the link takes you to the completed gallery.

So this is a quick picture post as I went protesting on Sunday when I would normally have written a post.

Tuesday I started a painting and worked on the first garden in the VR world that has a working title of ‘et in arcadia ego’

underdrawing

starting tthe painting

Glover Street Yard

On Wednesday I ran and then worked in the garden. I spent the afternoon getting frustrated with the VR – it’s always about adjusting the scale to make the world realistic. (as an aside I bought a copy of MakeVR to try to build quicker but discovered that my kit isn’t upto it, it works so slowly it defeats the object of using it.)

Thursday I carried on painting and modelling.

Under painting

I carried on painting on Friday

Friday painting

On Saturday I worked on the model, changing textures (sourced from old family photographs)

Glover Street Model

The I finished the painting and entered it into a competition locally – online so maybe not just local – I had to submit a photoof me in the studio alongside it.

The artist in his studio [old codger]

The finished(!) painting looks like this…

withered rose

Lockdown Six (and on, and on, and on…)

Lazy post this week…

The gallery has been updated with the daily drawings.

I’ve also spent quite a bit of time working up the parts for some maquettes, the series of photographs tell the story…

paper drying in the sun

paper drying in the sun 25/05/20

mould making for rocks

mould making for rocks 27/05/20

mould making for rocks 27/05/20

mould making for rocks 27/05/20

finishing the moulds

finishing the moulds 28/05/20

Outdoor workspace

Outdoor workspace 28/05/20

Solid Castings

Solid Casting 30/05/20

Solid Rocks and half rocks

Solid Rocks and half rocks cast in plaster of paris 29 & 30/05/20

Outdoor workspace 31/05/20

Outdoor workspace 31/05/20

Plinths

Plinths 31/05/20

I’ve made a whole series of parts for the maquettes I’m planning.

I’ve also modelled the old backyard from the house I grew up in in Stoke on Trent for the VR piece I’m working on.

Onwards and onwards!

Lockdown Continued… (notice the calmer Title Case)

The VR world from the geranium project on simmer – www.simmer.io/@IanLatham/the-geranium-project – takes 8 minutes and 7 seconds to load.

The latest WebGL build on my own website – www.ian-latham.com/geranium/build – takes 11 minutes and 39 seconds to load.

I’ve spent hours trying to work out how to make the things load more quickly but everything I try seems to make little or no difference.

I participated in an online event for the Doncaster New Fringe art group, a kind of delayed open studio evening in which artists film their work and upload the videos to a website. This is the video I made Art Bomb Video for Doncaster New Fringe I found some old 3d models I made for sculptures over a number of years and built a VR environment for them, I then made an awful video of my studio and me explaining what I’d done in fluent gibberish and placed that video inside the VR world. I recorded that through the computer and there you go.

Other than that this week has been a lot of gardening, building a greenhouse, and the endless frustration of Unity!

greenhouse

My New Greenhouse

I finally got the WebGL build down to 6 minutes and 17 seconds! Or at least below 7 minutes over several tries, the load bar doesn’t work properly though.

LOCKDOWN CONTINUED:

When I’ve spent time in the studio in the last week I’ve spent it trying to get the model to laod as WebGL from Unity. I can make it work in the programme and it builds succesfully but it will not work from the web! I’m typing this while I’m trying it again. If it works this time it will be here www.ian-latham.com/geranium/build As I type it doesn’t look like it will!

Otherwise this week I’ve been gardening, the bottom of my garden looked like this on Monday 20th April.

Waste Ground

Waste ground at the bottom of the garden

And like this on Friday 24th April

Mini Allotment

Mini Allotment

This film shows the WebGL build in Unity.

Spent another couple of hours trying to get the WebGL of geranium to work, it does work, it just takes 9 minutes and 41 seconds to load www.ian-latham.com/geranium/build

LOCKDOWN BLOG POST – First of ?

START: 17/04/2020

After moving from my studio as detailed in my last post I’ve been unable to write anything. Perhaps incapable is a better word. Obviously the latest Grant application was abandoned and I’m left in a kind of limbo. Fortunately I don’t need the money to live, only to work effectively and make the appropriate investments – time, contacts, equipment, etc., – so I’m one of many who is just happy to be ok and creatively feeling a bit numb.

garden drawing 13/04/20

garden drawing 13/04/20

So I did a drawing, A1 size or thereabouts, in charcoal, pencil and watercolour (a couple of dabs of white). This one took about four hours on one of the fine days we’ve been having.

I’ve also been working on new models for the geranium project, rebuilding them so that they can be played on desktops or through browsers.

geranium project page with an embedded WebGL game

I’ve uploaded a fairly straight version to a site called ‘simmer.io’ there is a link on the page for the project. It takes up to two minutes to load and it doesn’t work on Safari, it also doesn’t allow you to look up or down for some reason and has an annoying walk speed and sound.

I’ve been resolving those issue though and hosting new attempts to sort this on my website. Here www.ian-latham.com/geranium/game

This one is just one garden at the moment and has no sound, but it loads quicker and allows you to look up etc., these are both controlled using the mouse to look and arrow keys, or wasd, to move around.

I’ll be updating this location as I try out new things and bring in more gardens.

A final thought. I’ve been reading a lot of ‘art’ stuff,

[…] I want to speak loudly for what art has always been — something done against the rules of advanced capitalism. Art isn’t about professionalism, efficiency, insurance, and safety; it’s about eccentricity, risk, resistance, and adaptation. Mike Egan, owner of the visionary Ramiken Gallery, writes to me, “Art will not survive as some dull thing, some social good that we must support out of consensual responsibility to the social good. Art will explode with the desires of the people to see action play out, with tears, screams, harmonies, and some death.” He goes on, “Watch what happens next. Galleries will go under — unless they survive. How to survive? Passion. Obsession. Desire.” Indeed, in this time of sheltering-in-place, he just moved his gallery to a decrepit building across from a garbage dump and told me he opened “a secret show.” I thought I felt the rumble of art’s old thunder when he wrote this to me. In this and other similar gestures, I imagine a new “First Days of an Art World.”

https://www.vulture.com/2020/04/how-the-coronavirus-will-transform-the-art-world.html

Jerry Saltz waxing lyrical about the effect of Covid 19 on the “Art World”, April 2nd 2020, notes that a large number of galleries have reserves that will last a month or two at most. In the UK commentators are noting that the closure of the gallery closes the gallery shop which for many is a major income stream. ACE has launched an emergency funding scheme that seeks to mitigate the disaster that has hit a majority of those self describing as artists. Friends of mine are working to maintain connections and bolster the support networks that run alongside practice for a good number of creatives. The thing for me is that a lot of this points up the commodification of ‘art’ and speaks to a constituency that judges artworks according to their social value. The ACE parameters are that you earned more than 50% of your income from funding streams (not necessarily theirs) and can demonstrate this loss of income. It’s either this or hopeless idealism it seems. I’m interested to see what remains after COVID-19, but also extremely nervous.

Studio Strike (Two weeks to leave)

Upstairs Studio Cleared

Upstairs Studio Cleared

The upstairs of the shop is now cleaner and emptier than when I moved in.

I’ll be leaving my studio next Wednesday, no prospect of a new one yet, everywhere is shutting up shop, and I’m hopeful my van driver will honour the contract. We live in interesting times.

Shop ready to empty

Shop ready to empty

So all of this is now here…

Stacked Garage

Stacked Garage

Apart from the bits that are here…

Attic Studio

Attic Studio

Ready to work in isolation!

For the sake of future reference ACE effectively canceled all the National Lottery Project Funding currently pending in order to create a support system for freelancers who are seriously compromised by the current closure of everywhere. So all my plans are on hold along with everyone else’s. What I’ve decided to work on now is a Web GL version of the VR world and see what I can do to finesse it.

Place Markers, not Milestones

Guy Debord, The Naked City, 1957

For today, after experiencing some drift myself, I’m putting this here as a placemarker. If you’ve followed the blog you’ll have an idea of what I mean by that as the work I’ve been doing is psychogeographical.

I’m struggling to articulate the work and its underlying theories without establishing a road map and this situationist approach seems to be the most appropriate for now. I’ll post my thoughts when I know what they are.

The image is from McDonough, T 2004, Guy Debord and the Situationist International: Texts and Documents, MIT Press, Cambridge. which is sitting on my desk as I write.