I’ve spent hours trying to work out how to make the things load more quickly but everything I try seems to make little or no difference.
I participated in an online event for the Doncaster New Fringe art group, a kind of delayed open studio evening in which artists film their work and upload the videos to a website. This is the video I made Art Bomb Video for Doncaster New Fringe I found some old 3d models I made for sculptures over a number of years and built a VR environment for them, I then made an awful video of my studio and me explaining what I’d done in fluent gibberish and placed that video inside the VR world. I recorded that through the computer and there you go.
Other than that this week has been a lot of gardening, building a greenhouse, and the endless frustration of Unity!
My New Greenhouse
I finally got the WebGL build down to 6 minutes and 17 seconds! Or at least below 7 minutes over several tries, the load bar doesn’t work properly though.
When I’ve spent time in the studio in the last week I’ve spent it trying to get the model to laod as WebGL from Unity. I can make it work in the programme and it builds succesfully but it will not work from the web! I’m typing this while I’m trying it again. If it works this time it will be here www.ian-latham.com/geranium/build As I type it doesn’t look like it will!
Otherwise this week I’ve been gardening, the bottom of my garden looked like this on Monday 20th April.
Waste ground at the bottom of the garden
And like this on Friday 24th April
This film shows the WebGL build in Unity.
Spent another couple of hours trying to get the WebGL of geranium to work, it does work, it just takes 9 minutes and 41 seconds to load www.ian-latham.com/geranium/build
After moving from my studio as detailed in my last post I’ve been unable to write anything. Perhaps incapable is a better word. Obviously the latest Grant application was abandoned and I’m left in a kind of limbo. Fortunately I don’t need the money to live, only to work effectively and make the appropriate investments – time, contacts, equipment, etc., – so I’m one of many who is just happy to be ok and creatively feeling a bit numb.
garden drawing 13/04/20
So I did a drawing, A1 size or thereabouts, in charcoal, pencil and watercolour (a couple of dabs of white). This one took about four hours on one of the fine days we’ve been having.
I’ve also been working on new models for the geranium project, rebuilding them so that they can be played on desktops or through browsers.
I’ve uploaded a fairly straight version to a site called ‘simmer.io’ there is a link on the page for the project. It takes up to two minutes to load and it doesn’t work on Safari, it also doesn’t allow you to look up or down for some reason and has an annoying walk speed and sound.
This one is just one garden at the moment and has no sound, but it loads quicker and allows you to look up etc., these are both controlled using the mouse to look and arrow keys, or wasd, to move around.
I’ll be updating this location as I try out new things and bring in more gardens.
A final thought. I’ve been reading a lot of ‘art’ stuff,
[…] I want to speak loudly for what art has always been — something done against the rules of advanced capitalism. Art isn’t about professionalism, efficiency, insurance, and safety; it’s about eccentricity, risk, resistance, and adaptation. Mike Egan, owner of the visionary Ramiken Gallery, writes to me, “Art will not survive as some dull thing, some social good that we must support out of consensual responsibility to the social good. Art will explode with the desires of the people to see action play out, with tears, screams, harmonies, and some death.” He goes on, “Watch what happens next. Galleries will go under — unless they survive. How to survive? Passion. Obsession. Desire.” Indeed, in this time of sheltering-in-place, he just moved his gallery to a decrepit building across from a garbage dump and told me he opened “a secret show.” I thought I felt the rumble of art’s old thunder when he wrote this to me. In this and other similar gestures, I imagine a new “First Days of an Art World.”
Jerry Saltz waxing lyrical about the effect of Covid 19 on the “Art World”, April 2nd 2020, notes that a large number of galleries have reserves that will last a month or two at most. In the UK commentators are noting that the closure of the gallery closes the gallery shop which for many is a major income stream. ACE has launched an emergency funding scheme that seeks to mitigate the disaster that has hit a majority of those self describing as artists. Friends of mine are working to maintain connections and bolster the support networks that run alongside practice for a good number of creatives. The thing for me is that a lot of this points up the commodification of ‘art’ and speaks to a constituency that judges artworks according to their social value. The ACE parameters are that you earned more than 50% of your income from funding streams (not necessarily theirs) and can demonstrate this loss of income. It’s either this or hopeless idealism it seems. I’m interested to see what remains after COVID-19, but also extremely nervous.
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