Centre Apple Tree

Centre Apple Tree

Another New Studio

I just completed the Contemporary Art Academy PG1 course with a session where the participants delivered an ‘elevator pitch’ summing up our practice using the insight gained from the course. This is obviously really difficult because it is hard to articulate in the first place and remains hard in the final analysis.

I said something like “My name is Ian Latham and I build mixed reality installations. These involve physical sculptures alongside virtual environments (worlds). I use found and reclaimed materials, branches, scaffold planks, insulation foam etc., to build objects and structures based on my suburban garden. The virtual worlds that work alongside these explore the process of creation using LiDAR scans of the sculptures at various stages of their creation. The juxtaposition of these objects with representations of the garden IRL suggest the process of growth that I’m exploring.”

There were lots of hhms and aahs along the way, a few digressions and an element of self deprecation that was described to me as apologetic. All in all it was a great experience, it’s good to meet a group of peers and discuss the work rather than the life of being an artist.

I made this video for the presentation but in the end didn’t use it as we were trying to present ourselves as if we encountered someone while networking.

 

Centre Apple Tree

Red Garden Six

Since the last post I finished Red Garden Six with the addition of the red tree in the foreground.

Centre Apple Tree

Red Garden Seven 07 06 2024

Red Garden Seven 10 06 2024

I also took Red Garden Seven through two more stages. I’m not entirely convinced by either of them but I am persuaded there is nothing more I can do with either.

Two Red Trees – Pear and Apple 17 06 2024

I continued to work on the “Three Trees version Two” but it morphed into the “Two Red Trees – Pear and Apple” that will sit at the entrance to the virtual exhibition, and the physical one come to that.

Centre Apple Tree

Two Red Trees – Pear and Apple

The exhibition will have “Two Red Trees – Pear and Apple” at or just past the entrance, a new piece “Centre Apple Tree” in the centre of the quincunx and the first version of “Three Red Trees” at the top left and the “Dancing Partners” at top right. The various drawings may be displayed alongside although part of me thinks they’ll be separate.

Two Red Trees – Pear and Apple – Detail

Centre Apple Tree

Centre Apple Tree

Centre Apple Tree

I spent the back end of the month building the new “Centre Apple Tree”

And drawing it.

We had an unusual spell of good weather, for June, as well so I did some drawing in the garden.

Climbing rose 21 06 2024

Garden 26 06 2024

Hydrangea 26 06 2024

 

Drawing

I’ve continued to draw every day;

The June drawings can be seen here

and the May images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.

April Showers

April Showers

Another New Studio

On the 1st April I happened upon this review in the Guardian  Yhonnie Scarce is an indigenous artist who uses glass to explore the lingering effects of the nuclear weapons testing in Woomera in the 1950’s and 1960’s. I suspect I’ll never get to see it for real but it appears to be very striking, possessing that power that comes from ownership and quiet repetition.

It struck me enough to record it here and I find it challenging because it directly addresses a history that is generally unrecorded and, like so much of our history, speaks ill of us. I’ve obviously never had anything that motivates me as strongly and I’m once again at a bit of a loss. To address this I decided to do the 30works30days project on Artquest to see if it kickstarts anything.

This is ‘What brings you Joy’. Day 3 of the 30works30days project on Artquest. Daffodils, paper, cardboard, found wood, cable ties, 150cm tall

April Showers

The works I’m doing are all linked to video and 3d work and I’m collecting them together here

I decided to make ‘Tree Flower’ the same pattern as ‘Dancing Tree’ and to paint the flower red.

 

The drawing in the background of that sculpture, made by collaging the paper I used on the floor when painting it, has become the basis of ‘Red Garden 5’

This one is the biggest yet and I’m trying to get some of the same dynamic as the VR world into it. I’ve spent a lot of time working on the VR this month, using google maps and google earth as the base of the 3d world and building into it.

The bottom of the garden, lidar scanned with my iPhone and Polycam

As I progressed I took the yellow down to push the space back into the picture and then looked at adding more detail into the tree. The whole needed a lot more depth to the colours as well.

The image below shows an idea of the detail in the tree on 27th March.

The centre apple tree from the garden shows the view the drawing represents, this is from the VR ‘red’ world.

After fannying with the materials for the google model in Blender, and dodging the april showers, I bought some daffodils to give myself a break and started a new drawing.

The first drawing was done on the 2nd April and the second shows how it appeared on the 4th.

I also did some more work on the ‘Red Garden 5’ drawing which I think needs something else in the centre foreground.

I read this thoughtful Guardian article about ai in art. It centres on Pierre Huyghe’s  exhibition in Venice, asking a series of questions about the use of artificial intelligence in art making. It’s an interesting conundrum but the genie is out of the bottle now.

Drawing

I’ve continued to draw every day;

The March drawings can be seen here

and the February images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.

April Showers

Whatever It Is

Whatever It Is

Another New Studio

I’ve had a mixed January after time off over Christmas. Lots of time spent trying to get an app from Unity onto the app store, I must have spent twenty hours and it still won’t go on so I’ve resorted to putting the Doncaster Platonics app on the Artivive  App.

It works, which is great, but it costs money to use for anything other than minimal output and there would be further charges if the works were viewed more than a 1000 times in a month. That might seem to be a lot of views but the five Platonics drawings are each individual artworks so that’s 200 views each.

Whatever It Is

Christmas Tree – Oil on Board

While I was at home I painted a Christmas tree, because it was Christmas.

Bird Skeleton

I missed several days studio work after discovering water dripping down onto my stairs from the skylight. This proved to be a hole in the roof so that needed sorting, mostly involving waiting for tradesmen to turn up to quote and then sitting around while the one I chose did the job.

While I was in the roof cavity, off my cellar studio I found the skeleton a small bird, I think it’s a sparrow, and I took it into the studio at c-view to draw. This is 140 cm x 80 cm pencil and pastel on paper. This was started on the 12th of January.

Small Fox

I also painted a small fox while I was waiting around at home and did a lot of digging in the garden.

Whatever it is

Bird Skeleton with Red

On the 15th January I was able to get into the studio again and added some red to the bird skeleton and worked over the shadows and some marks on the paper with white paint. I managed to get help to deliver the lemniscate  to the NHS at Barnsley Hospital and also got some photographs taken of the work I’ve made at c-view for prints and a new website.

Bird Skeleton with red wash

I got back into the studio on the 19th January and painted the background of the bird skeleton with red ink.

Studio 23/01/2024

I also started a new half sized maquette for the three trees variations in cardboard. I finished this on the 23rd January and made a lidar Polycam scan.

Three Trees Maquette drawing

When I returned to c-view on the 24th I started a drawing of the three trees sculpture, I’ve also explored this in the sketchbook.

Three Trees Maquette drawing

And when I next got in on the 29th I finished it.

Whatever it is

Red Pigeon

I was in again on the 31st, after a lot of work on the app and the background story to the big Gardens Project and I worked the Red Pigeon drawing up to almost finished.

I’m thinking that the Garden is the protagonist of the story for the project, asserting itself by becoming in the presence of ‘you’ as the witness. As simple as it sounds the longer you are present in the garden the more you see and the more you interact the more you find out. The plot may be the reconciliation ‘of’ or ‘with’ a fatal flaw in the main character. There has to be some kind of achievement at the end of it.

I wrote a kind of manifesto for my protagonist. Which garden I am depends upon you. I am the garden growing the fridge freezer and the bin bags full of ignorance; I am the garden organised with gravel and abandoned to dandelions and curly wurly wrappers bleached and wilted; I am the garden clinical in its efficiency, with no room for invasions or unwanted natives, made new every season with garish borders; I am the garden abandoned to ideology, at the mercy of the wind and the moss and the tap roots, and the ‘wilding’; I am the garden that tells you what it wants and where it wants it; You are the garden I am.

I really should find the time to work consistently on this, whatever it is.

A small aside about photographing work, I took the photographs below in my kitchen with the iPad, the picture is 12inches square. I haven’t adjusted the colour in any of them, it is just a question of finding the right light. The one at the right is the closest to reality.

Fox, colour photographs

Drawing

I’ve continued to draw every day;

The January drawings can be seen here

and the December images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.