The Geranium Project (R&D) 12

Monday 9th September. A whole day in the studio trying to resolve a scale issue with Unity when importing from 3ds Max.

I spent the morning trying to work out UVW unwraps on a model in 3ds Max and the afternoon trying to work out why the scale won’t translate to Unity from 3ds Max. The frustration is palpable. So that’s six hours with nothing to show but a set of questions I can’t answer. It’s back to school tomorrow! (I need to go through some tutorials to see if I can find the things I’m not doing.

On Tuesday afternoon I worked out that Unity is working at a 1:50 ratio against 3ds Max, so I metre in Max is importing as 50 metres in Unity. This means my garden was 6.5 km in Unity once imported.

Wednesday morning I was interviewed by Harlan at Axisweb for the website and for some publicity for the event I’m running on 11th October. It will stand as a marker for progress against the ACE project outcomes. In the afternoon I had further frustration, this time with updates to software that ate all my data.

I also made a new version of the real garden model, ‘realgarden_11_0919.max’ ready to try out on Friday.

On Friday I finally got the expert assistance I have planned for. There is an interesting dynamic working with other artists who tend to have opinions as strong as my own. Establishing the boundaries of working practice is the most important part of the relationship. The first thing we established was that frustration with software is universal, and that its best if you work to the same versions as your partners. I feel that I can see the direction of the VR segment of the project now, it will start in the ‘room’ – the physical installation – and the user (player) will progress through the video that is showing simultaneously in the space into a photographic version of the garden. From there the user can move through to the abstract drawing version. Now it’s a case of making it.

As an aside I’ve illustrated this post with images from the latest video, versions of which I’m filming and trying out on a regular basis.

The Geranium Project (R&D) 11

Another week of lots of work with apparently not much progress. It’s very easy to spend hours working on the computer and have little concrete to show for the effort. I’ve managed to use a particle system to put fog into one end of the drawing garden, and I did some work on Monday to add materials and so on.

I also had a look at one of the potential locations for a transition to another scene, or from another scene.

Over the next two days I worked on making a photographic version of the garden where the ‘player’ will start with a view to moving from there to the drawn garden.

Photographic Garden

A longer video of the garden with fog.

The Geranium Project (R&D) 10

After a week off and installing the computer and VR kit at the studio this week was back to it.

Kit in Studio

The kit has to be packed away securely each day, which takes about 30 minutes, as the studio is in a high burglary area.

So far I’ve got an animation working thanks to Luke, one of my assistants, and I resolved the teleporting issues I’d had while the kit was at home.

I keep thinking this doesn’t seem to amount to much for all the time I’ve had but then a visitor tries it out and I’m reassured that it appears to be impressive. There is an advantage in using an uncommon technology but there is also the problem that the work becomes about the technology or that the technology dominates the idea.

I’m simultaneously disappointed that I’m not further ahead and pleased with the progress I’ve made, not that that makes much sense.

 

The Geranium Project (R&D) 09

Another one of those nothing weeks with everything feeling like treading through mud.

An appointment on Monday meant I didn’t get in until Wednesday and spent the day sorting and checking the wifi. Then on Friday I did some drawing as I couldn’t get the kit moved.

The big drawing from last week looks like a disaster.

large_hydrangea_blog_1608

large_hydrangea_blog_1608

And may likely be used to feed some smaller drawings. I started another big drawing and a couple of smaller ones. The studio looks like this now.

firday_drawing_blog

Friday Studio

The big drawing was reasonably successful, better than the hydrangea, and the two small ones have begun reasonably.

Large Drawing

Large Drawing

I did a little bit of sketchbook work as well to explore bringing the big drawing into 3d.

Sketchbook

Sketchbook

I’ve got a ‘procedure’ at the Hospital at the beginning of next week and then I’m away at the end of the week so there will be no post for the end of August,next up in September when I should be back on track.

 

The Geranium Project (R&D) 08

This week was supposed to be when I moved the VR into the space. Best laid plans and all that. I still need to sort out the internet for the studio and that’s delayed me for a week at the least. Life has intervened in other ways as well so part of the week was spent on the phone to Virgin Media.

I did get to the studio on Monday, continuing to work on the drawings I started last week,

Large Hydrangea August

Large Hydrangea August

adding some green to the big piece and working into the centre with black pastel and fingers.

One of six drawings made on Monday and Wednesday last week

One of six drawings made on Monday and Wednesday last week

As an example this is the development of the one I posted last week, another one looks like this now…

small hydrangea

small hydrangea

After this I got waylaid by virgin and decided to work on the VR at home for Wednesday and Thursday.

VR installation test

VR installation test

The first test I made works some of the drawings into a model of the installation space. The next two try to work the same drawings into the garden as a whole.

VR garden test

VR garden test

The latest has better materials but I’m still working out the problems with importing scale, establishing movement etc., should all be resolvable but I want to get it into the right ballpark before I bring the experts in.

2nd VR garden test

2nd VR garden test

this image and the next best illustrate the issue with scale

2nd VR garden test

2nd VR garden test

After 3 days away from the studio I continued to work on the large drawing, and did some further work on the small ones, but my major effort was to stretch some more paper on my new drawing boards.

large hydrangea

large hydrangea

small hydrangea

small hydrangea

And the studio looks like this.

Studio mid August

Studio mid August

The Geranium Project (R&D) 07

This week spent mostly working through the ramifications of paying people through the ACE funding. Actually quite easy to sort, and not too onerous a task when you’ve worked it out, but a real pain to find and understand the information through the HMRC website.

I decided I needed to get some greenery into the studio and this prompted a new set of drawings.

Hydrangea

I started a set of six drawings, this is one,

One of six drawings made on Monday and Wednesday

I also ordered some wood to make a large chest for storage – intentionally very heavy.

Large Chest

and started a big drawing…

Large Drawing begun Monday

I’ve worked further on this on Friday but the process is quite slow as the layers are added and I’m entirely unsure about the colours.

Progress on big drawing

This may well be torn up eventually. This week is a hiatus before the work on the VR component begins in earnest.

The Geranium Project (R&D) 06

Monday was spent installing the curtain for Andrea’s installation and then positioning ‘Snow Line’ and hanging the companion drawing.

Monday Prep

Monday’s preparation

Andrea’s piece is a re-imagining of her recent MA exhibition about motherhood.

Andrea Berry - Installation

Andrea Berry – Installation

It has lighting and sound so this video gives a better impression.

On Tuesday we finished setting up the gallery downstairs when Luke and Kim brought their work from Barnsley. Adding a black curtain over the white for the downstairs installation and hanging seven of Kim’s large images. Luke placed his matrix of nine small prints at the foot of the stairs.

Composite Exhibition Image

Composite Exhibition Image

The evening really started for us at about 5:30 pm and we had a steady stream of visitors until I was able to lock up at 8:20 pm. Generally people were engaged and interested and we had up to fifteen people upstairs by 7:30 pm, so maybe between 80 and 100 visitors over the course of the night.

It makes it feel like the project is officially underway, even though that’s been the case for six weeks now.

The prosaic stuff. As this was part of the Doncaster Crawl, Doncopolitan contributed to the launch with posters and publicity as well as a good deal of coordination over the evening. The cost was limited to providing refreshments for our visitors so the evening cost me about £40.00 – It is useful to note that this cost is personal because no events were proposed in the project, it being R&D, but there will obviously be some costs associated with the planned review events in late September and December. Filling the holes from the last hang and painting added another £10.00 or thereabouts as I had white emulsion in and only needed to purchase filler. There is always a good amount of time spent prepping for a show and this used 22 hours of the 96 I’ve budgeted for physical assistance.  The shop makes a good venue and the exhibition will remain in place for a month or so.

The Geranium Project (R&D) 05

Work on the big drawing on Monday 15th

Monday 15th was a return to the studio after a weeks holiday. The nature of a break is that it causes something of a reassessment and provides only thinking time, there is no time to make anything. I thought a lot about ways to create the drawings in 3D, whether doing this made the VR space an exhibition, if I was spending too much time worrying about that and I should merely make the world simply?

I tried out an idea for the space as a maquette.

Monday macquettes

Monday maquettes

On Wednesday I had a visit from another artist who is going to show in the space with me on Tuesday next for the Doncaster Crawl. The first publicised event for the installation project. A good portion of the day was spent discussing options.  I started an ‘inspiration’ corner to give any visitors an idea of what I was intending.

Inspiration board

Inspiration board

One board with some of my thinking and quotes from sources that have informed it – I need to work on some visuals for this.

Questions and Lookups board

Questions and Lookups board

On the whiteboard I put suggestions made by the ‘mentors’ and some questions raised by them and myself.

Afterwards I produced an addition to the maquettes.

Maquettes

Wednesday macquettes

Maybe the video gives a better idea of my thinking?

 

Friday was a day of tidying and organising for the ‘Crawl’. I cleared the gallery space,

Gallery space ready for Monday

Andrea Berry is showing some of her MA work and I’ll show the three ‘Snow Line’ works across the centre. Hopefully there will be some others in the space as well.  I’ll use the upstairs to show the beginnings of ‘Geranium’.

Studio space for Monday

Sketchbooks on one table

Sketchbooks

and drawings on the other

Portfolio of Drawings

It will all be ready for 5pm on Tuesday.

 

 

 

 

 

 

The Geranium Project (R&D) 03

Studio View

Studio view 24th June 2019 – tidied for meetings.

This weeks starting question – Is the urge to tidy up when faced with a blank mind a symptom of age? Is having a blank mind a symptom of age? Probably worth acknowledging at this juncture that my idea of tidy may not have a very wide currency.

I visited the new studio today but it’s a building site. I was told that they were stripping out inessential fittings, like the intranet wiring and some shelving, and I should be able to move in. I’d need a hard hat and breathing apparatus to be able to move in as it stands so now I’m fingers crossed for the place to be clear by Friday so I can move next week – otherwise I’ll need to do some quick thinking. I contacted my usual van driver about the move but he no longer has a van so I’m already at the mercy of strangers which increases the effort involved.

This week I’ve got three meetings that will largely determine the timetable for the project over the next nine months, hopefully starting with an informal launch at Doncaster’s Culture Crawl on 23rd July.

1819 pair_four_blog

I organised some of the drawings in the gallery to pair the originals, made last summer, with the new ones made in the last month or two. Each original drawing, which has a collage element, – http://www.ian-latham.com/blog/gallery/paired-drawings-2018-2019/ – is copied to a small sketch and then taken to the upstairs studio and reinterpreted as a pure drawing. It’s interesting to put them together to see how closely they match or quite how far apart they’ve grown.

Wednesday had a meeting with Wayne Sables http://www.waynesablesproject.co.uk/ who is going to give feedback on aspects of production and presentation as well as, with my other collaborators, engaging in discussions about the installation as it progresses. This is what the ACE funding covers, paying for the time of experienced collaborators who can challenge the work as it progresses.

Studio Corner

I also stuck up some of the newer drawings to keep the place from seeming empty, even though I expect to be moving, and began a big version of one of them.

Drawings June 26th

Large Drawing in Progress

Friday ended up being a day of meetings and a visit to the new studio – which now won’t be the new studio. The building is being turned into apartments and all but two rooms are inaccessible.

I met with Mike Stubbs, https://www.mikestubbsart.com/ who is a collaborator/mentor for the installation and Iain Nicholls, http://iain-nicholls.com/ who is specifically helping out with the VR portion of the project.

The week leaves me with a lot of possibilities for the installation going forward – we discussed form, location, looking behind you, the way you are guided through space, the outward appearance of the space and much more. One of my major headaches is going to be holding a firm grip of what I want to achieve during the discussions I have.

The Geranium Project (R&D) 02

New Installation Drawing in progress

New Installation Drawing in progress

Three wall view of the new installation drawing.

Another week effectively lost because of extraneous factors – as much as you might plan for breaks for a variety of reasons, they have a habit of arriving at the most inopportune moments. This week a planned break to visit family clashed with the need to organise moving studios and with the progress of the installation which gains an extra patina of angst due to the ACE funding. The fact that the project is financially supported makes it obviously more important that it progresses and succeeds. The funding was paid into my account this week which makes the thing real.

So I only really got to work on Friday and moved the drawing on as illustrated.

I re-read ‘The Myth of Wu Tao-Tzu’ this week, Sven Lindqvist discusses the morality of seeking to live in art and his own efforts to do so and awakening to the retreat it represents. In the preface to the first English translation, published in 2012, Lindqvist talks about ways he has witnessed this imaginative leap, in Australian Aboriginal art for instance where the pictures are maps of territories that cross the boundaries of physical and spiritual and of his own experience of Fiona Banner and David Kohn’s ‘A Room for London’, a boat atop the Queen Elizabeth Hall. He recognises that “Wu Tao-Tzu had the courage for solitude[…]He had the courage to disappear and continue alone, on the other side of the visible in art.”

the other side of the visible in art.

I had a visitor a week or so ago who suggested that if your work is not about the imminent threat of our climate emergency then what’s the point of it? Lindqvist comes to much the same conclusion, and presents the same lack of hope.

A mental picture of the space;

The Garden is not a copy, or a description, is it an equivalence (obs.)

You walk in the space. There is a path through the space. There is an apparently impenetrable wall around the space but on closer inspection there are gaps. Any hole in the fence takes you to another world (.wrl sense). Through one gap you enter a vast field, at a distance is an object, you can go to it and see that it is a framework of right angles with an ordered tube curving through it. There is nothing else in this space. Yet.

I have not found a way to make roses, yet.

There is the sound of birds singing some distance away.

In the garden a bird hops from one fencepost to the next fencepost.

A cat crosses the garden, curls up under a tree, slows its breathing and disappears.

If you are here long enough you will the cat will reappear, uncurl and walk slowly out the garden. You may follow.

A bird perches on the fence, a female blackbird, she calls shrugging her wings and tail. The call is echoed from a shortening distance.

It would be good to have a secret superimposition of the real and virtual spaces – there are three spaces – REAL – INSTALLATION – VIRTUAL.

Can (shall) I play the sound from the real garden live in the installation?