Monday I decided to stay in the garden for most of the day – I planted the space under the trees with wildflower seeds – to get an idea of the space before I continued the VR work. It gets very wearing to work in front of screens.
Photo model of garden
I’ve built a model of the garden, to the scale I need to load into Unity, from a series of planes with photographs of the garden mapped to them. It makes for a very small file and should give a deliberately unreal/real impression of the garden when you stand in it in VR. Last week working with Iain Nicholls we looked a moving through the spaces with the movement determined by using your thumbs on the handsets. Fingers crossed tomorrow gives me the opportunity to try this out. You can see from the model above that I’ve got a walkthrough in the scene, this is the video.
Wednesday began as another day of frustration. Eventually I managed to get the garden working with teleport again and the new garden imports. I need to work towards improving it and to make the movement better. The day was truncated as I attended a talk on ‘Virtuality in Art’ at Leeds University. The talk was presented as a panel discussion chaired by Steve Manthorp from the University’s Cultural Institute, with Rhian Cooke, a recent graduate who is an Associate Artist with the YSI (Yorkshire Sculpture International), Andy Abbott, socially engaged Artist, Commissioner, arts worker who works with new technologies and Dave Lynch and Christophe de Bezenac who are Cultural Institute fellows at Leeds.
– some references …
After presentations on their work discussion covered a range of topics defining visions of ‘virtuality’ a term that nobody really liked. The key points discussed were around the amount of control you need to relinquish to make effective work in the milieu because your audience is inevitably involved in the creative act. This involvement ranged from the prosaic, Cooke uses projectors and mentioned that small children will make shadow animals that join her work, to the entrapment that Abbot uses to draw in participants, games, ipads, tech generally makes people engage and he uses that engagement to generate future iterations of the work, and the neurologically generated and/or social dataset artworks that Lynch and de Bezenac make in dramatic fashion.
I take a couple of points from this as paralleled or questioned in my own work. Lynch and de Bezenac discussed the way they manipulate peoples agency, or at least their sense of agency,in creating works that people ‘feel’ they have directly altered by their presence or action. They also discussed the amount of direction you needed to give, with particular regard to the instructions you needed to leave out, for a work to function for the audience.
Friday was another frustrating day, but not without progress. I imported the new garden and spent the morning getting the normals aligned so all the material showed the right way around. Then I copied and expanded the teleport area so that I can move anywhere in the scene. I then tried to do a build and in doing so lost the teleport function. So I have an executable of the space that you can move in but I’d need a warehouse to be to walk it all.
I then found that if I tried to use a different file I couldn’t teleport at all. I closed down and reopened but teleport wasn’t available. In the end I had to completely shut down the computer and restart it so that I could teleport, from the same file that previously wouldn’t. Unity is temperamental.
I did manage to re-import the photo garden and then navigate the space using teleport so I can move between the two spaces. There are things I need to do besides work out the walking script and trigger some transitions between scenes, I still need to bring in the sides of the photo garden as collections of images, and I need to work out lighting.