Lockdown Five (a continuing, if erratic, saga)

A bit of a mixed couple of weeks (12 days as I’m writing) doing a variety of different things.

Lots of gardening, lots of preparation for a series of small sculptures – nothing to show there yet – drawing, painting and so on.

Looking through Instagram, which I just rejoined, I came across #draweverydayinmay2020 run by ‘Marigold the Maker’ under the auspices of The Big Draw. Part of it is to use the additional hashtag #stillpointsketchingchallenge and place some creative limitations on your daily sketching. I decided to use Autodesk Sketchbook to produce all the drawings on my iPad, work between 9:00 am and 10:00 am each day and remain in my seat at the kitchen table.

painting of lemons

Teaching myself to paint

I also bought myself some boards, 5mm ply 25 cm square, to do some small paintings, just to keep my hand in. These lemons were started the same day I drew the two in the dish in the gallery.

I also applied for the Yorkshire Sculpture International Network 2020, which is a set of online meetings fortnightly from June until October where Each of the participating artists will be invited to contribute to developing the content of the network’s programme and to the research and development for the next Yorkshire Sculpture International festival. This programme will enable us to ensure we are building the future artists’ professional development in the most useful way for artists.” I should find out if I’m successful next week, I can’t imagine there will be many people my age applying.

ArtBomb Video  

Flickr Video

Art Bomb Video

I’m posting this again to remind myself, the arts group I did this with has done a zoom meeting with all the videos played, I wasn’t invited (or I missed the email?) I know it’s not great but it would have been nice to be asked.

More Lockdown (less success)

I’ve got the WebGL down below seven minutes consistently, with data caching, it’s still too long though. www.ian-latham.com/geranium/build_newmirror

Began thinking about meadow forms for sculptures.

07/05/20 tried loading the WebGL again, took 20 minutes to do nothing, 12 minutes to load, then twice seven minutes to load each time with no sound! Next step is to upgrade the Unity programme which means a complete rebuild. Love this game!

08/05/20 Too nice a day to mess about with Unity so I did some sketching in the garden and started to work a maquette for the meadow forms.

buttercup sketch

buttercup sketch

I’ve started to draw on the iPad in the mornings as well, posting them on instagram. [@latham_1959] The maquette is air drying clay and will be varnished and cast in plaster.

common orchid maquette

common orchid maquette

I’m thinking of different finishes, certainly mounted on a stem.

meadow forms sketch

meadow forms sketch

Since these, a couple of days ago, I’ve had to update Unity to try to resolve the load issues.

Lockdown Continued… (notice the calmer Title Case)

The VR world from the geranium project on simmer – www.simmer.io/@IanLatham/the-geranium-project – takes 8 minutes and 7 seconds to load.

The latest WebGL build on my own website – www.ian-latham.com/geranium/build – takes 11 minutes and 39 seconds to load.

I’ve spent hours trying to work out how to make the things load more quickly but everything I try seems to make little or no difference.

I participated in an online event for the Doncaster New Fringe art group, a kind of delayed open studio evening in which artists film their work and upload the videos to a website. This is the video I made Art Bomb Video for Doncaster New Fringe I found some old 3d models I made for sculptures over a number of years and built a VR environment for them, I then made an awful video of my studio and me explaining what I’d done in fluent gibberish and placed that video inside the VR world. I recorded that through the computer and there you go.

Other than that this week has been a lot of gardening, building a greenhouse, and the endless frustration of Unity!

greenhouse

My New Greenhouse

I finally got the WebGL build down to 6 minutes and 17 seconds! Or at least below 7 minutes over several tries, the load bar doesn’t work properly though.

LOCKDOWN BLOG POST – First of ?

START: 17/04/2020

After moving from my studio as detailed in my last post I’ve been unable to write anything. Perhaps incapable is a better word. Obviously the latest Grant application was abandoned and I’m left in a kind of limbo. Fortunately I don’t need the money to live, only to work effectively and make the appropriate investments – time, contacts, equipment, etc., – so I’m one of many who is just happy to be ok and creatively feeling a bit numb.

garden drawing 13/04/20

garden drawing 13/04/20

So I did a drawing, A1 size or thereabouts, in charcoal, pencil and watercolour (a couple of dabs of white). This one took about four hours on one of the fine days we’ve been having.

I’ve also been working on new models for the geranium project, rebuilding them so that they can be played on desktops or through browsers.

geranium project page with an embedded WebGL game

I’ve uploaded a fairly straight version to a site called ‘simmer.io’ there is a link on the page for the project. It takes up to two minutes to load and it doesn’t work on Safari, it also doesn’t allow you to look up or down for some reason and has an annoying walk speed and sound.

I’ve been resolving those issue though and hosting new attempts to sort this on my website. Here www.ian-latham.com/geranium/game

This one is just one garden at the moment and has no sound, but it loads quicker and allows you to look up etc., these are both controlled using the mouse to look and arrow keys, or wasd, to move around.

I’ll be updating this location as I try out new things and bring in more gardens.

A final thought. I’ve been reading a lot of ‘art’ stuff,

[…] I want to speak loudly for what art has always been — something done against the rules of advanced capitalism. Art isn’t about professionalism, efficiency, insurance, and safety; it’s about eccentricity, risk, resistance, and adaptation. Mike Egan, owner of the visionary Ramiken Gallery, writes to me, “Art will not survive as some dull thing, some social good that we must support out of consensual responsibility to the social good. Art will explode with the desires of the people to see action play out, with tears, screams, harmonies, and some death.” He goes on, “Watch what happens next. Galleries will go under — unless they survive. How to survive? Passion. Obsession. Desire.” Indeed, in this time of sheltering-in-place, he just moved his gallery to a decrepit building across from a garbage dump and told me he opened “a secret show.” I thought I felt the rumble of art’s old thunder when he wrote this to me. In this and other similar gestures, I imagine a new “First Days of an Art World.”

https://www.vulture.com/2020/04/how-the-coronavirus-will-transform-the-art-world.html

Jerry Saltz waxing lyrical about the effect of Covid 19 on the “Art World”, April 2nd 2020, notes that a large number of galleries have reserves that will last a month or two at most. In the UK commentators are noting that the closure of the gallery closes the gallery shop which for many is a major income stream. ACE has launched an emergency funding scheme that seeks to mitigate the disaster that has hit a majority of those self describing as artists. Friends of mine are working to maintain connections and bolster the support networks that run alongside practice for a good number of creatives. The thing for me is that a lot of this points up the commodification of ‘art’ and speaks to a constituency that judges artworks according to their social value. The ACE parameters are that you earned more than 50% of your income from funding streams (not necessarily theirs) and can demonstrate this loss of income. It’s either this or hopeless idealism it seems. I’m interested to see what remains after COVID-19, but also extremely nervous.

Leaving the Studio

I moved into my studio at 13 Scot Lane on February 6th last year, and last week I got notice to quit by April 4th. It has been a long lease for an Axisweb tenancy and very valuable to me. I got the ACE funding and completed the geranium project (R&D), so I have no complaints. I do have quite a headache though. I’ve three weks effectively to pack up and move just when I’m getting some interest in seeing the project from people who might think of showing it.

The shop the day I moved my gear in

Moving in Day 6th February 2019

I spent the week sorting out software licenses, meeting people to discuss possible exhibitions and planning for a project for the NHS in Barnsley. I really need to do some drawing!

I’ve got the Future Now conference at York St. John’s next week, Thursday and Friday, with a meetings with an ACE officer and a portfolio review. It was this time last year when I attended this conference and showed my work to Jane Bhoyroo from Yorkshire Sculpture International whose response convinced me of its viability and Denise Fahmy from ACE who gave me really valuable advice about making an application. Looking forward to hearing Cornelia Parker speak at this one.

Some links that are interesting and may potentially come up again in the next few months.

http://alittlepieceofland.org.uk/

https://access-space.org/

http://artspace.org.uk/

The Geranium Project (R&D) 34

This last week has been spent planning next steps and finessing parts of the VR. The video run through is below.

I had a few visitors, only one set I didn’t invite directly, who were uniformly enthusiastic about the work. I had another today who took the number who have tried the VR to 50. People remain as enthusiastic about the installation as they do about the VR.

Next steps are to make the physical presence more robust so that it can be moved for exhibition and get the piece out to new locations. All of this is of course subject to funding. The final report can be seen here http://www.ian-latham.com/geranium.html

 

The Geranium Project (R&D) 32

This week the project hit a bit of a standstill as all I need to do is round things off for the project. I’ll post a version of the final report next week as a final R&D post. I sgot hold of a 10m HDMI cable to move the projector to a darker part of the studio and put up some extra curtains to restrict the light.

Projection from Unity executable

The projection is not great although it is better than the photograph shows and I can run the VR from an executable file now.

I’m writing an essay about the philosophy of the piece after my last meeting with Mike Stubbs but I’m not entirely comfortable with it. I’ve followed up on the artists he mentioned and I find little common ground other than technology. They’re all interesting artists in different ways and I’ve always found it much easier to be interested in artists who I don’t feel as if I’m competing with. I’ll think about explaining that sentence more when I’ve finished this project. The closest work I’ve seen to mine is Jakob Kudsk Steensen, there is an interview with him on the Louisiana Channel here, https://channel.louisiana.dk/video/jakob-kudsk-steensen-%ef%bb%bfour-middle-existence

and he has this work https://catharsis.live/ on at the Serpentine. It represents an ancient forest, created from studies of several real life locations in America, and he models in great detail. In the end though he’s made a film. What I’m really thinking about now is agency within the artwork and whether that is important or not?

This video is from the executable file.

The Geranium Project (R&D) 29

On Monday I managed to do the second coat of the installation drawing, adding in some lighter shapes over the very black lines of the first version from Friday.

newinstallation back wall

new installation back wall

I worked on the VR world that I have to recover after the difficulties I had last week. There are still a few things that need to be resolved but it is progressing well.

This week I had to go in on Tuesday afternoon as well to have my photograph taken for the free press.

Doncaster Free Press Report

It was in on Thursday, fulfilling another project aim with publicity. I was intending to get in on Thursday to work on finishing off but toothache intervened and I had a trip to the dentist instead. On Friday I worked on the VR while Luke and Kim got the AR into gear and that will be finished up on Wednesday next week. I also got the installation lighting rewired to help with the AR.

This leaves very little to do to finish off now, I need to model the installation into the VR and have a final runthrough with the appropriate sound files and we’re there.

The Geranium Project (R&D) 28

On Monday I was back in the studio checking things over and with the intention of working on my 3d models. I forgot to take the disc with me so that went out of the window.

garden painting

One of the garden paintings displayed in the gallery

I took some pictures of the paintings I have on display downstairs and had a look at the VR model, I tried enlarging the sky domes I put on for the last run through but they were awful so I’ve taken them out and am working on some other options.

I also wrote a press release over the weekend and sent it to Doncaster Free Press, Sheffield Star, Yorkshire Post and Doncopolitan. Doncopolitan will put it out through their social media channels so I know I’ll get some traction there, the other press is a fingers crossed affair and unlikely to lead to any publicity. I posted the press release to LinkedIn, a-n (artists newsletter) and Axisweb sites under events and onto the local doncastercreates website where it is now sitting on the front page. I’ve emailed six or seven organisations regionally today and have a few more to do. I also sent the press release to bbc radio. I don’t expect a response from any of these outlets, the bbc have an automated response saying we might use it or we might not, but if you don’t ask you don’t get.

On Monday evening I got a reply from the Doncaster Free Press and they will be running a piece in the paper, as things stand they’re sending a photographer next Tuesday afternoon to take pictures for the piece. I got a lot of traction on LinkedIn, including new local connections and interest in viewing the piece.

On Thursday I had a visit at the studio from Marcus and Tim who are associated with the Doncaster TedX organisation. They suggested that I could showcase the work at the TedX Youth conference in April, and potentially have some involvement with TedX in October. We also discussed several other options for this piece and the installation as a stand alone piece. The Hexthorpe Park idea I had also got some traction with Marcus and he’s going to connect me with someone who might be interested in collaborating.

Luke came to the studio and with his help I managed to get the animated garden working, he also managed to get the AR element for the installation working, we now just need to finalise the interior and the installation will be finished.

Friday I started by painting the interior of the new installation, I got the first coat done before my meeting with Mike Stubbs.

one wall of the new installation drawing

one wall of the new installation drawing

The meeting was interesting and quite challenging. Mike commented on my blog that he wondered about my ‘philosophy’, and couldn’t pin it down, so this meeting went over some ground around this. Essentially he complimented the blog on its detail and comprehensiveness but questioned the lack of any discussion placing my work in an ‘art’ context. He believes that a clearer understanding of where you want to place yourself as an artist improves your work. He also gave me a list of artists to look at who he felt I might want to position myself against (not ‘counter to’, just relatively) and I’m pondering.

I shot a short video in the new installation, where the drawing has to be very bold and busy to aid the AR, but its incredibly dark.

The Geranium Project (R&D) 27

Over Christmas I continued work on the VR element of the project. I’m working towards the AR animated birds for the installation and the photographic gardens using paper tied into knots.

bird knots drawing

bird knots drawing

This drawing is A1, charcoal, pencil and pastel and I’ve made a couple of 3d models and animated a short section.

bird knot models

bird knot models

I also tied a few pieces so that I can try out using them as an AR trigger.

I went into the studio for the first time on Friday 3rd January and met with wayne, details of this meeting follow.

Discussed current progress of work, what needs to happen next and what help wayne could give in achieving that.

Outlined the plan going forward.

  1. Tidy up current iteration of Geranium VR – skies, edges, tunnels, etc.,

  2. Introduce animated sections to painted garden

  3. Introduce animated birds to photo garden sections

  4. Finish spoken word sections, quotes and explicatory texts for tunnels, gnomic utterances for gardens

  5. make birdsong soundtracks for drawn and phot gardens

  6. Work with Iain Nicholls on build for VR space

  7. Work with Luke Roberts on AR birds for installation

  8. Finish rain section for installation, run PIR off tower PC if necessary

  9. Organise press release for Invitees week beginning 10th February 2020

  10. Invite appropriate people (get the invites out by end of next week 10/01/2020

  11. Get feedback from Kim & Luke for report etc.,

  12. Plan the next steps – meet with Mike Stubbs, Wayne, Luke & Kim to propose and develop next bid for funding

Wayne agreed to email me introductions to key people in Doncaster.

In discussing the next steps for the project wayne proposed several people it would be worth contacting in Doncaster Council, Doncaster Archives, Barnsley Museums etc.,

Two things particularly need establishing as part of the future display of the object, firstly the entrance to the space can be remade for each location it is placed in, and secondly that the photographic elements of the VR space provide potential for a number of future works utilising archival photgraphs and contemporaneous images. Hexthorpe Park springs to mind.

I need to put the press release information out onto my Linked In page, through Twitter, send to Doncopolitan for Facebook, onto the Doncaster Creative wotsit, onto a-n, Axisweb etc., as well as the blog and send it to Doncaster Free Press, Yorkshire Post, The Star (Sheffield?) and anywhere else I can think of.