Studio Build TWO

Studio 071118

A full day at the studio. A full day means arriving at 11:00 and leaving at 15:50, I am retired after all.

First off I stretched the paper in the foreground, I’ll be interest to see how this dries given the lack of heating and fabulous ventilation. The time is an hour ahead on this photo, I couldn’t be arsed to change the time when the clocks went back. I moved on to constructing the panels for part one of the installation.

I cut all the wood first, twenty eight short lengths and then moved onto assembling the panels. I got the timing down to fifteen minutes a panel when my portable drill finally charged up. Before that I was putting the screws in by hand, each panel has eight 100mm bullets and fourteen 25mm bullets. The photographs illustrate the very simple production line approach.

An aside for today about the electricity. The supplier is e-on and their standard tariff is around 15.75 pence per KWh. The meter read 277 when I took possession and read 283 after today’s work. The advantage of having only one socket to power everything from.

The video is here so you can hear the noise the rain makes on the corrugated roof.

Friday 9th November. Arrive at 10:45 am with a view to completing as much of the structure as I can. Obviously someone has been in on Thursday as the lights come on when I enter the building. As it’s Axisweb’s rental I have to accept access by them and the landlord without prior notice. This could be either and maybe I won’t see the visitor I’m expecting today.

I made eight frames today to add to the six from Wednesday, each frame uses 4×2.4m C16 CLS 3×2 (48x75mm) at £3.10 each length and one sheet of whiteface hardboard at £7.75, so £20.16 per frame plus screws. Eight 100mm bullets costs about £1.70 and sixteen 25mm bullets are 23 pence. So £22.09 x 14 is £309.20 for the whole assembly. You could say £310.00 including the electricity.

I’ve got one spare frame to test the surfaces for the internal finish and I’m still toying with having a door. There are also a few spots that will need extra screws to lie flatter. You can also see how dark it is, 15:30 in November.

Here ends week one of the new studio!

Studio 091118

Tomatoes

Over the summer I planted tomatoes for the first time in years. I didn’t get them in until May so the fruit ripened in September and was so ugly that may wife declared they could not be eaten. So here’s what I did with them.

This is the first painting – I tend to find first versions are over involved, become fussy and subject to continual finessing, and make me wish there was someone there to tie my hands so that I stopped. These are placed on a drawing board on my turntable in my attic studio. Oil on Paper 90×90.

Two tomatoes Oil on board 46x81cm

Two tomatoes Oil on board 46x81cm

As I progressed I used a lot of red and yellow paint so I started other paintings so as not to waste any. This is the first, on hardboard that was lying around. I’m trying to establish their weight and get the right shininess onto the surface.

Two Tomatoes Two oil on board 46x81cm

Two Tomatoes Two oil on board 46x81cm

another Two tomatoes version done at the same time and with the same ends. I decided I wanted to paint all eight with a different background to concentrate their redness.

Tomatoes on Yellow oil on paper 115x90cm

Tomatoes on Yellow oil on paper 115x90cm

The photograph doesn’t do complete justice to the yellow, the two tones are a lot closer.

At the same time I made two sets of three tomatoes.

three tomatoes two oil on 200lb watercolour paper A1

three tomatoes two oil on 200lb watercolour paper A1

I did these as I had some watercolour paper stretched and I wanted to see how the absorbency affected the paint.

three tomatoes oil on 200lb watercolour paper A1

three tomatoes oil on 200lb watercolour paper A1

By this time the tomatoes were beginning to get soft so I disposed of them humanely! They are heirloom beefsteak tomatoes and the biggest of them was just over a pound in weight and about eight inches across.

The whole episode took about three weeks and is easily enough red for one project.

A new first post!

It’s been a while, December 29th 2012 in fact, so here’s an early new years resolution. Post more regularly.

OLYMPUS DIGITAL CAMERA

The image was taken in my studio about a year(ish) ago and I may have posted it to Facebook at some point in 2013. The print is a Twombly ‘Protea’ and the paintings are developments. Another one, around the same time,

OLYMPUS DIGITAL CAMERA

continues my obsession with the bottom of my garden.

There are other images from the years since I last posted, and there are posts that I typed up somewhere but never published. I’ll get to them. For now this a pre resolution try out to make sure it all still works.

iPad paintings and drawings

February was an interesting month for me, I was effectively demoted at work through a re-structure, had my workload increased threefold and, due these changes, inherited an iPad.

Fruit Bowl

Fruit Bowl

Very soon afterwards I bought a copy of Brushes and downloaded the free version of Autodesk’s Sketchbook software. Like everyone else I’ve been interested by Hockney’s iPad and iPhone drawings and wanted to see what I could do. The ‘Fruit Bowl’ is my first Brushes drawing.

The drawback to Brushes, along with getting used to drawing with your finger, is that there is a complete absence of texture.

Daffodils

Daffodils

Layering is useful, a background in Illustrator or Photoshop helps, but fundamentally it’s a new medium. I have kept up with Brushes, but these limitations led me to look for other software. I bought ArtRage in March and had a go with that. Daffodils is my first ArtRage painting. I think I was still thinking in computer generated mode and didn’t exploit the variety of mark and texture available.

I had been playing around with Sketchbook Express for a while, but it seemed to be like a more precise version of Brushes, so I left it alone as far as image making went.

 

After a while I tried to look at what the programs appeared to be set up to do. Brushes is, to me, a traditional computer drawing program. Sketchbook is very much a designer’s program, ArtRage is a painting program. I went for shiny stuff!

Kitchen

Kitchen

Kettle

Kettle

 

 

 

 

 

 

 

 

 

The left hand image is a Brushes painting of my stainless steel kettle, the right hand image is a Sketchbook Express version of the same subject.

All of these images have been made since the end of February.  There are more, you can see them here. My favourite so far is this ArtRage painting, it combines watercolour wash with impasto in a way you’d never do on a canvas.

Tea Mug

Tea Mug

But really I think it’s simply because the iPad lends itself to sitting with a cup of tea, bored, when nothing is happening in T’art Club.
 

Woman Walking with Hand to Mouth

Four views of a work in progress.  This is four views of a single figure, about one metre tall, made from hardboard and fixed with a glue gun.  The figure is from Muybridge– ‘Woman walking with hand to her mouth’

Woman Walking Downstairs

The desire here is to get the kind of movement you find in Duchamp into the single figure, or to simply have the movement apparent in the static representation, so it’s very much a first version, and very much unfinished.

That may be a characteristic of my work on reflection, the ‘unfinished’ quality. I won’t claim it as deliberate, but then I do stop.

Duchamp - Nude Descending a Staircase

The process I try to follow when I work is to work without reference, to try to let the object dictate it’s own result.  There are some other examples here

Acknowledgements:

wikimedia commons Eadweard Muybridge

Nude Descending a Staircase No. 2 – wikipedia 21/04/12