The Geranium Project (R&D) 04

The week started with some work on the latest big drawing.

Big July Drawing

Still work to do, the greys need to go back a bit and the top right ‘v’ needs more definition, the balancing wedge on the left needs less definition. I think the bars in the bottom right need separating as well.

I did some work on some smaller drawings too, but not with any great sense of direction so they may well be used as collage very soon.

June/July Drawing

The big action this week though has been resolving the studio and investing in some kit. You are constantly weighing up future developments against current availability with VR kit. As I write HTC are a few months (or so) away from launching the Cosmos, which may or may not completely replace the Vive. There is no indication of cost yet. The alternatives are a Rift s, still a slight resolution issue according to reviews although that gap is narrowing and the Valve Index at £900.00

In the end, weighing everything up as far as I could, I went for the Vive and a PC powerful enough to run it.

After buying the kit I need I’ve then spent several hours installing before I can operate it properly. This has involved several hours reading forums and faqs about the issues I’ve faced as I installed and led me to thinking about the way the art can be dragged into being about the technology rather than the ideas. So time for a reality check and a list/timetable.

I’m aiming for a semi official launch at the Doncaster Crawl on the evening of July 23rd. After this, early August, I’m looking to bring the 3d modelled drawings into the virtual space and work on refining that aspect of the project. The first test run of a full public outing will be in September, preferably early, and then again in November/December after considering and reacting to the feedback at that event and from Iain, Wayne and Mike. Repeat this before an event in January/February to test the final(?) version and then prepare a report and spec the installation for proper display.

The big issue is turning the drawings into 3d and developing the (implied) narrative.

This blog covers two weeks as I’ve been away for a week.

Aesthetica ‘Future Now’ Symposium 7-8 March 2019

Stepped out of the studio for two days to attend the ‘Future Now’ symposium hosted by York St. John University.

We are currently living in a time of globalisation, expansion and media saturation. There have been considerable shifts in civilisation in the Information Age – we now communicate with each other instantly, yet with an alarming level of disconnect. Through panel discussions, lectures and portfolio reviews, The Future Now Symposium is an exploration of 21st century culture through the mechanism of art.” – http://www.aestheticamagazine.com/future-now-symposium-2019 

There are many positives about the chance to attend a symposium but there is also the impossibility of attending all the presentations and for me the additional frustration of needing to step out of the day to think after attending sessions. This is a brief note of some of the sessions I attended and the things that struck me during them.

The Keynote delivered by Cherie Federico, Publisher and co-founder of Aesthetica magazine and Director of the Aesthetica Art Prize, addressed the themes of the symposium through the work of the artists selected for the prize exhibition and Cherie’s own thoughts on the emotional evolutionary cusp we appear to be on in the world at the moment. Clearly artists are led to question and challenge the politics, with a small or a large ‘P’, of the times they occupy but I find myself in a state of profound inarticulacy. It appears to be impossible to be clear about any stance you take or belief you hold without expecting most of the responses you receive to be confrontational. To be identified as ‘one of us’ is less the issue than avoiding being identified as ‘one of them’. Thus the assumption of you holding a set of ‘moral’ values is made by association with your presence in a particular space. Cherie presented a slide with a set of words that define our times, Leave, Remain, Algorithm, Consumption, and maybe 20 more, and noted that ‘apathy is not an option’ in our febrile times.

A panel discussion led by Kit Monkman with Charlotte Ginsborg, Ludivine Large-Bessette & Rhea Storr, titled ‘Artists’ Film: Storytelling and Concept’ was an engaging conversation about working practice, motivation, audience and medium. Rhea Storr noted that her work was defined through process, that the piece she ended up with was determined through its making rather than established in advance. Ludivine Large-Bessette talked about making work in which you directed your own movie counter to the manner of traditional film in which you are confined into immersion. Discussion continued around the authenticity of approaches to ‘art’ film and the possibility of defining such a thing, with Charlotte Ginsborg noting that any term applied commodifies the object in question. There was agreement that viewers bringing their experiences to bear as opposed to the mediated experience of traditional cinema was a feature of ‘art’ cinema, and whilst sharing their working method they all agreed that making work for its own sake and not for the mediums sake was key. A very interesting session that introduced me to work I was unaware of but that did not really address storytelling and concept. The thrust of the conversation was practice based and I was left pondering whether it is even possible to make an unmediated artwork.

In ‘Rethinking Sculpture: Connecting With Objects’ Jane Bhoyroo, Producer for Yorkshire Sculpture International outlined the development of the project by facilitating collaboration between the four venues in two cities. The event, or series of events, is designed as a set of reactions to Phyllida Barlow’s ‘provocation’ that “sculpture is the most anthropological of the art forms”. The Yorkshire Sculpture International begins on 22nd June in Leeds and 23rd June in Wakefield and runs for 100 days. All the exhibitions are free and there are a lot of things to look forward to, see https://yorkshire-sculpture.org/whats-on/all-listings/ I’m particularly anticipating David Smith at Yorkshire Sculpture Park.

YSI has selected fifteen international sculptors some of whom have not shown in the UK before. They have also selected fifteen local sculptors, five as associates who will work with the international artists and a further ten as engagement artists working with the extensive education and community programmes. Jimmie Durham and Tau Lewis look very interesting at the Hepworth and Nobuko Tsuchiya will be in residence at Leeds City Gallery.

Emmy and BAFTA nominated artist Nick Ryan is a multi-award-winning composer, sound designer, and audio specialist, who discussed ‘The Future of Sound Art’ in a fabulous presentation on the Friday. He began by describing his work as examining the relationship between audio, perception and matter, and talked about the lack of a critical framework for discussing sound or listening. It may be that sound, or at least vocalisation, is the earliest art. Sound suffered historically from two limitations, transience, in that it could not last beyond the event, and transportation, sound could not go anywhere except in the memory of the listener. Ryan discussed the history of recorded sound and the way our perception of sound has been coloured visually.

The lion pictured in this image from Lascaux may well be the first visual depiction of sound.

The lion pictured in this image from Lascaux may well be the first visual depiction of sound. https://upload.wikimedia.org/wikipedia/commons/b/bd/Lascaux-diverticule-f%C3%A9lins.jpg

He went on to show some of his work focusing on the acoustic imagination being multi-modal and the notion of co-authorship in sound art as everything we hear acquires meaning from our memories. He showed us ‘DX17’ his project with the Imperial War Museum, ‘Machine 9’ that tracks space junk and gives it a voice and ‘Tate Sensorium’ for which he built a musical instrument based on David Bomberg’s painting ‘In The Hold’. Well worth checking out at http://www.nickryanmusic.com/

A great feature of the symposium is that you can get portfolio reviews with a good range of arts professionals including some of the speakers and you can book advice sessions with ACE representatives. I did both of these and the sessions were extremely positive and forward looking.

The other aspect of the event is the networking opportunities provided between the sessions. In this regard the layout of the event – limited seats and big tables – is very well judged to encourage conversation, which, in the manner of most networking events, was mainly around the financial difficulties of practice as an artist.

A list of links to some of the projects/artists/artworks seen or discussed over the two days.

http://www.charlotteginsborg.com/ film maker, check out Melior Street

http://kitmonkman.com/about/ and http://www.kma.co.uk/ interactive and participatory art works.

https://www.ludivinelargebessette.com/ and on vimeo https://vimeo.com/106288978

http://www.rheastorr.com

http://www.aestheticamagazine.com/

https://www.dazeddigital.com/art-photography

https://frieze.com/

https://www.theartnewspaper.com/

Alex Majoli https://pro.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL53W_0

https://yorkshire-sculpture.org/

https://ysp.org.uk/

https://www.henry-moore.org/visit/henry-moore-institute

https://www.henry-moore.org/whats-on/2019/03/08/phyllida-barlow-sculpture-and-drawings-from-the-leeds-collection

https://www.leeds.gov.uk/museumsandgalleries/leedsartgallery/currently-on-at-leeds-art-gallery

https://hepworthwakefield.org/

http://www.nickryanmusic.com/

http://www.dianabell.co.uk/ The only artist who asked/talked about making.

NEW STUDIO – Week Two

This week has been about catching the installation back up to where I was at the Wheatley studio.

On Monday I had to finish building the space, which took the morning, and then thread the fishing line and hang the leaves, leaving me at this point by the end of the day.

From the video and the picture below you can see I had to build myself a rudimentary ladder to access the top of the boards.

Build your own ladder

Build your own ladder

On Wednesday I got notification that I’m almost official to move in. The agent says the forms should be across to Axisweb soon.

Shadow from projection, inside the space

Shadow from projection, inside the space

As you can see I got the ceiling on the space and set up the speakers and projector. The space presents some profound differences to the Industrial Unit, it’s a lot darker for instance.

This clearly presents problems with the painted space and the degree of visibility required to read its intention.

A view inside the space, lit by the projector

A view inside the space, lit by the projector

The video inevitably, for one as inexpert as me, appears darker than the eye. The photograph gives a better idea of the look of the space. By the end of the day this was the position.

So Friday was about finessing the space and continuing to tidy up downstairs.

Upstairs room with the installation in place

Upstairs room with the installation in place

Even darker with the roof stapled down and the webcam moved to give a better view of the door.

In the afternoon I spent two and a half hours hoovering the shop.

Shop floor view from the window

Shop floor view from the window

It looks much more acceptable now, although I wouldn’t be happy with it if I lived there.

Shop floor view towards the window

Shop floor view towards the window

At the moment I’m thinking of a workshop space at the back and an exhibition space at the front.

Studio Build EIGHT

Week Seven in the Studio

Back to it after XMAS. Took the computer and speakers to the studio.

computer in situ

computer in situ

Arrived just before 12 and built a shelf to install the computer and speakers. Now the webcam acts as a Motion Sensor and turns a sound file on when you enter the space.

On Wednesday I had a visit from an Estate Agent and a guy measuring up for a Mezzanine Floor. It is likely that I’ll need to leave the studio in the next month! That’s the downside of the arrangement with Axisweb, 3 weeks notice to quit either way.

open sculpture

open sculpture

Worked on the open sculpture,

open sculpture view

open sculpture view

And the two part sculpture which will have a central section.

Recorded the above video with three speakers and no radio!

On Friday I brought the projector to the studio and worked out where I need to locate it to create shadows. I will need to put a ceiling in to reduce the amount of light in the space, not totally dark but reducing enough for the video to cast over the distance.

Continued work on the two sculptures,

quick now

‘Quick now, hear, now, always’

'Quick now, here, now, always'

‘Quick now, here, now, always’

'Quick now, here, now, always'

‘Quick now, here, now, always’

Which has some nice dramatic viewpoints.

And the as yet unnamed small sculpture.

unnamed small sculpture

unnamed small sculpture

Studio Build SIX

Week five in the studio:

Very mild this week but absolutely throwing it down, I arrived wet and my coat was still wet when I left in the afternoon. I’m writing another post on the Doncaster Art Fair that interrupted my building. Today I wanted to treat the leaves so they can retain colour and paint out more of the big drawing.

First I painted in the leaves in the big drawing with Indian ink, then I treated the leaves with PVA and then painted over the big drawing with more white. I only took photographs at the end for reference so these go around the space.

right wall one

right wall one

right wall two

right wall two

garden wall

garden wall

left wall one

left wall one

left wall two

left wall two

projection wall

projection wall

The very light wall taken down further to facilitate projection.

Wednesday started badly, it was chucking it down and the walk to the studio was very unpleasant. I didn’t really know where to start so I set up the light and put the heater on to dry my shoes.

first I turned the leaves which were dry on top but still wet underneath.

Then I dug out the sketch books and did some work on the garden sculptures.

These are sketches towards stand alone sculptures but also inform the look and feel of the space, particularly the right hand wall, opposite the projection wall.

I then cut the wood I prepared last week, or the week before, to build small sculptures exploring the garden in Balby.

The second picture taken with flash to emphasise how dark it was at that point.

I rounded the day off by painting the projection wall out more and resolving to purchase small stepladders.

Friday was a better day weather wise and therefore lighter.

The leaves were dry so I set out to put fishing line across the space and then hang sets of them.

fishing line as ceiling

fishing line as ceiling

Putting the line in and then stringing the leaves took me most of the day and I ended up with this

I did some work on the sketchbooks and thought about the effect I wanted for the leaves in the space, is it getting too busy?

I won’t be here next week so that will give me time to think about what I want from the space and also to work on the projection – in sketchbooks and mentally. I still need stepladders and I need to get the computer and webcams down to the site.

 

 

iPad paintings and drawings

February was an interesting month for me, I was effectively demoted at work through a re-structure, had my workload increased threefold and, due these changes, inherited an iPad.

Fruit Bowl

Fruit Bowl

Very soon afterwards I bought a copy of Brushes and downloaded the free version of Autodesk’s Sketchbook software. Like everyone else I’ve been interested by Hockney’s iPad and iPhone drawings and wanted to see what I could do. The ‘Fruit Bowl’ is my first Brushes drawing.

The drawback to Brushes, along with getting used to drawing with your finger, is that there is a complete absence of texture.

Daffodils

Daffodils

Layering is useful, a background in Illustrator or Photoshop helps, but fundamentally it’s a new medium. I have kept up with Brushes, but these limitations led me to look for other software. I bought ArtRage in March and had a go with that. Daffodils is my first ArtRage painting. I think I was still thinking in computer generated mode and didn’t exploit the variety of mark and texture available.

I had been playing around with Sketchbook Express for a while, but it seemed to be like a more precise version of Brushes, so I left it alone as far as image making went.

 

After a while I tried to look at what the programs appeared to be set up to do. Brushes is, to me, a traditional computer drawing program. Sketchbook is very much a designer’s program, ArtRage is a painting program. I went for shiny stuff!

Kitchen

Kitchen

Kettle

Kettle

 

 

 

 

 

 

 

 

 

The left hand image is a Brushes painting of my stainless steel kettle, the right hand image is a Sketchbook Express version of the same subject.

All of these images have been made since the end of February.  There are more, you can see them here. My favourite so far is this ArtRage painting, it combines watercolour wash with impasto in a way you’d never do on a canvas.

Tea Mug

Tea Mug

But really I think it’s simply because the iPad lends itself to sitting with a cup of tea, bored, when nothing is happening in T’art Club.