One Handed Working

All of this is typed with one finger on my left hand as I’ve got tennis elbow! As best as I can figure I’ve developed an RSI from drawing on the iPad. It may also have something to do with digging.

52 left handed pastels

52 left handed pastels

So I’ve had to draw with my left hand, I haven’t tried painting yet – I feel as if requires more control – and made these 52 5”x 7” pastel drawings of the garden. I’ve also been drawing daily on the iPad, with my left hand since the 2nd September.

Drawing with your wrong hand is a strange activity in that it involves stilling the involuntary spasms that your usual hand makes due to muscle memory and conciously switching the natural action to its mirror image. It feels as if you are thinking differently at first, but after a while it seems as if there is a bar to your usual thinking so that the process is foggier.

Since my last post on August 18th I’ve begun a couple of paintings

Balby Garden Robin

Balby Garden Robin

This robin is 10” x 10”, as is the Edlington Woods painting below.

Edlington Woods Branch

Edlington Woods Branch

I also entered a local online competition with this small painting of birds…

Birds Do It

Birds Do It

which is 12” x 9”, they are all oils on board.

dogs on beach

dogs on beach

old mine works

old mine works

lathkill dale

lathkill dale

I also started three more, same sort of sizes, that I haven’t been able to finish yet.

All of these are a way to teach myself to paint with oils again.

I also finished the August Gallery

Quick, Look Like You’re Busy

coffee cup

coffee 13th August #100

What have I been doing since the 5th August?  I’ve been working on four or five different things. The picture above is the 100 th consecutive drawing on my iPad made between 9:00 am and 10:00 am each day since the 6th May. I picked the coffee cup deliberately because this is the first drawing I did.

Coffee 6th May #001

Coffee 6th May #001

I think I might be improving. I’ve kept up with these and they can be seen on my Instagram latham_1959 or in these galleries.

I’ve also been painting, continuing to work on the sequences from Edlington Woods and from my garden in Balby. They’ll be displayed on this website

http://www.ian-latham.com/painting/

These are the latest ones.

Edlington Woods Orchid

Edlington Woods Orchid

Balby Garden Baby Crow

Balby Garden Baby Crow

Balby Garden Dunnock

Balby Garden Dunnock

But mostly I’ve spent the last fortnight finishing off my ACE funding application and submitting it through the online portal. Fingers crossed.

Is it still Lockdown? (Twenty days later)

Frustrating month trying to get my head in gear to work on the gardens project. I’ve got a chanace to put this out for feedback through the CAST scratch night but I’m having real difficulty with the animation and scene loading in Unity/Steam so I’m reverting to the travelling through tunnels, or dropping down holes to progress.

In the meantime I finished the set of five sculptures and placed them in the garden. The  Garden Sculpture website can be seen on this link. I’ve set it up seperately so I can send it out for applications.

The sculptures are smaller than I’m used to and I’m not sure about them yet. I’m working on a piece about the garden as an inspiration and a site for sculptures that will be posted soon. (don’t hold your breath).

I also set up a site for the paintings I’ve been working on over the last couple of months.

There are three series of five, one completed – still life – and two in progress. Edlington Woods, the one above is the latest in this series.

And paintings of my garden like this one. The site can be seen here Learning to paint

I’ve also been drawing on my iPad each day, since May 6th, so I’ve got 82 drawings/sketches up ’til today.

The rest of my time I’ve spent staring at computers, 3d modelling, getting VR wrong and checking over my application for a new Lottery Project grant from ACE.

Lockdown 10 (almost a fortnight since the last one)

And what have I been doing since?

Finished the June ‘draw every day’ gallery and started July.

Edlington Woods 1

Edlington Woods 1

Edlington Woods 2(primrose)

Edlington Woods 2(primrose)

Started some new paintings and finished some others. I’ve got two series on the go at the moment, one is a series of Edlington Woods paintings, details of the floor mostly, and the other is a series of collared doves and pigeons in the garden.

Collared Dove

Collared Dove

I’ve continued work on the five/six Balby garden sculptures, trying out finishes with oils and gold leaf with varying measures of success.

Balby Garden 2 (in progress)

Balby Garden 2 (in progress)

I’ve also continued to work on the VR piece, ‘et in arcadia ego’, a journey through a series of gardens with photographic memories inserted withour explanation. This piece was put forward for the Cast theatre scratch night initiative in Doncaster. The tentative working title gives the clue to my intentions. For me the beginnings come from Poussin by way of TS Eliot’s Four Quartets, but rather than the merely elegiac I want (now) to look back to Sannazaro’s original interruption of the idyllic retreat with a dark dream that forces you back to reality where things have inevitably changed.

The last thing for this post is that the piece was accepted for the Scratch Night, so it should be going online somehow, as a work in progress, to draw comments from a panel of arts professionals.

ACE announced that the Lottery Project Grants are returning on the 22nd of July and Barnsley NHS have been in touch to advance the organ donation memorial.

Lockdown Nine (the most bored week so far…)

This gallery has the continuation of my ‘draw every day’ attempt, so far I’ve managed every day since the 6th May

and now through June since the 6th.

I continued with the scyulptures, making six maquettes last week.

These are using the cast plaster rocks and the steel rod. I managed to submit for the Cast ‘Scratch Night’, that might be interesting (if I get it) and continued working on the ‘et in arcadia ego’ models.

I finished this painting.

Still life with fox jaw, lemon and dried rose

There is now a set of five of these,

each 10 inch square, oil on board, an attempt to relearn painting by drawing directly with paint onto the board. The middle one is in the Doncaster Art Fair competition on line and I’ve got my fingers crossed.

I’ve tried gilding the first of the small sculptures, that and painting being the next step, and it looks like this now

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

Still thinking about the VR work and how to build a structure to house the experience. Also varnishing BGNo5 and finishing the others.

Still difficult to focus thoughts on the work as its impossible to get away from it!

 

Lockdown Eight (Too busy to think)

Another lazy post, been too busy gardening and prevaricating since the last one.

small painting gif ‘fox jaw’

I made this small painting, and I entered the last one into an online competition…

It’s there on the right, you can click this link to vote for it https://www.doncasterartfair.com/?pgid=kb84pw6k-c20b0fd7-b161-42b3-ac0a-0086832b9f2e but I don’t really stand a chance, the final 30 are picked through the online vote and half an hour in some of these had 500+ votes. I don’t know enough people online. It was free to enter though.

I’ve been continuing to work on the ‘gardens’ project, tentatively titled “et in arcadia ego” the viewer moves through a series of gardens, all the gardens I’ve spent time in. I think its about the pursuit of quiet spaces, the expanding and contracting nature of safety – mental and physical – and the chimeric nature of confidence (for a start).

This is the first space, the back yard at Glover Street in Birches Head, Hanley, Stoke-on-Trent. The spaces will eventually lead to the garden I used for geranium and I’m working on a post explaining the concept fully for a new funding bid (small funds but tech support).

I’m building sculpture this week, I’ll post it next week or on the internet as I go.

Lockdown Six (and on, and on, and on…)

Lazy post this week…

The gallery has been updated with the daily drawings.

I’ve also spent quite a bit of time working up the parts for some maquettes, the series of photographs tell the story…

paper drying in the sun

paper drying in the sun 25/05/20

mould making for rocks

mould making for rocks 27/05/20

mould making for rocks 27/05/20

mould making for rocks 27/05/20

finishing the moulds

finishing the moulds 28/05/20

Outdoor workspace

Outdoor workspace 28/05/20

Solid Castings

Solid Casting 30/05/20

Solid Rocks and half rocks

Solid Rocks and half rocks cast in plaster of paris 29 & 30/05/20

Outdoor workspace 31/05/20

Outdoor workspace 31/05/20

Plinths

Plinths 31/05/20

I’ve made a whole series of parts for the maquettes I’m planning.

I’ve also modelled the old backyard from the house I grew up in in Stoke on Trent for the VR piece I’m working on.

Onwards and onwards!

Lockdown Five (a continuing, if erratic, saga)

A bit of a mixed couple of weeks (12 days as I’m writing) doing a variety of different things.

Lots of gardening, lots of preparation for a series of small sculptures – nothing to show there yet – drawing, painting and so on.

Looking through Instagram, which I just rejoined, I came across #draweverydayinmay2020 run by ‘Marigold the Maker’ under the auspices of The Big Draw. Part of it is to use the additional hashtag #stillpointsketchingchallenge and place some creative limitations on your daily sketching. I decided to use Autodesk Sketchbook to produce all the drawings on my iPad, work between 9:00 am and 10:00 am each day and remain in my seat at the kitchen table.

painting of lemons

Teaching myself to paint

I also bought myself some boards, 5mm ply 25 cm square, to do some small paintings, just to keep my hand in. These lemons were started the same day I drew the two in the dish in the gallery.

I also applied for the Yorkshire Sculpture International Network 2020, which is a set of online meetings fortnightly from June until October where Each of the participating artists will be invited to contribute to developing the content of the network’s programme and to the research and development for the next Yorkshire Sculpture International festival. This programme will enable us to ensure we are building the future artists’ professional development in the most useful way for artists.” I should find out if I’m successful next week, I can’t imagine there will be many people my age applying.

ArtBomb Video  

Flickr Video

Art Bomb Video

I’m posting this again to remind myself, the arts group I did this with has done a zoom meeting with all the videos played, I wasn’t invited (or I missed the email?) I know it’s not great but it would have been nice to be asked.

Lockdown Continued… (notice the calmer Title Case)

The VR world from the geranium project on simmer – www.simmer.io/@IanLatham/the-geranium-project – takes 8 minutes and 7 seconds to load.

The latest WebGL build on my own website – www.ian-latham.com/geranium/build – takes 11 minutes and 39 seconds to load.

I’ve spent hours trying to work out how to make the things load more quickly but everything I try seems to make little or no difference.

I participated in an online event for the Doncaster New Fringe art group, a kind of delayed open studio evening in which artists film their work and upload the videos to a website. This is the video I made Art Bomb Video for Doncaster New Fringe I found some old 3d models I made for sculptures over a number of years and built a VR environment for them, I then made an awful video of my studio and me explaining what I’d done in fluent gibberish and placed that video inside the VR world. I recorded that through the computer and there you go.

Other than that this week has been a lot of gardening, building a greenhouse, and the endless frustration of Unity!

greenhouse

My New Greenhouse

I finally got the WebGL build down to 6 minutes and 17 seconds! Or at least below 7 minutes over several tries, the load bar doesn’t work properly though.

LOCKDOWN BLOG POST – First of ?

START: 17/04/2020

After moving from my studio as detailed in my last post I’ve been unable to write anything. Perhaps incapable is a better word. Obviously the latest Grant application was abandoned and I’m left in a kind of limbo. Fortunately I don’t need the money to live, only to work effectively and make the appropriate investments – time, contacts, equipment, etc., – so I’m one of many who is just happy to be ok and creatively feeling a bit numb.

garden drawing 13/04/20

garden drawing 13/04/20

So I did a drawing, A1 size or thereabouts, in charcoal, pencil and watercolour (a couple of dabs of white). This one took about four hours on one of the fine days we’ve been having.

I’ve also been working on new models for the geranium project, rebuilding them so that they can be played on desktops or through browsers.

geranium project page with an embedded WebGL game

I’ve uploaded a fairly straight version to a site called ‘simmer.io’ there is a link on the page for the project. It takes up to two minutes to load and it doesn’t work on Safari, it also doesn’t allow you to look up or down for some reason and has an annoying walk speed and sound.

I’ve been resolving those issue though and hosting new attempts to sort this on my website. Here www.ian-latham.com/geranium/game

This one is just one garden at the moment and has no sound, but it loads quicker and allows you to look up etc., these are both controlled using the mouse to look and arrow keys, or wasd, to move around.

I’ll be updating this location as I try out new things and bring in more gardens.

A final thought. I’ve been reading a lot of ‘art’ stuff,

[…] I want to speak loudly for what art has always been — something done against the rules of advanced capitalism. Art isn’t about professionalism, efficiency, insurance, and safety; it’s about eccentricity, risk, resistance, and adaptation. Mike Egan, owner of the visionary Ramiken Gallery, writes to me, “Art will not survive as some dull thing, some social good that we must support out of consensual responsibility to the social good. Art will explode with the desires of the people to see action play out, with tears, screams, harmonies, and some death.” He goes on, “Watch what happens next. Galleries will go under — unless they survive. How to survive? Passion. Obsession. Desire.” Indeed, in this time of sheltering-in-place, he just moved his gallery to a decrepit building across from a garbage dump and told me he opened “a secret show.” I thought I felt the rumble of art’s old thunder when he wrote this to me. In this and other similar gestures, I imagine a new “First Days of an Art World.”

https://www.vulture.com/2020/04/how-the-coronavirus-will-transform-the-art-world.html

Jerry Saltz waxing lyrical about the effect of Covid 19 on the “Art World”, April 2nd 2020, notes that a large number of galleries have reserves that will last a month or two at most. In the UK commentators are noting that the closure of the gallery closes the gallery shop which for many is a major income stream. ACE has launched an emergency funding scheme that seeks to mitigate the disaster that has hit a majority of those self describing as artists. Friends of mine are working to maintain connections and bolster the support networks that run alongside practice for a good number of creatives. The thing for me is that a lot of this points up the commodification of ‘art’ and speaks to a constituency that judges artworks according to their social value. The ACE parameters are that you earned more than 50% of your income from funding streams (not necessarily theirs) and can demonstrate this loss of income. It’s either this or hopeless idealism it seems. I’m interested to see what remains after COVID-19, but also extremely nervous.