The Geranium Project (R&D) 23

Late again with the blog post. My excuse is the febrile nature of the world currently and the difficulty ignoring it. On Monday 25th I had a catch up meeting with Wayne Sables about where to take the project next. I am determined that I’ll have a new set up completed for a weekend event after the election!

These videos give a sense of where the project is and where it’s going.

The major thing to do with the physical installation is to get some light into it wirhout interfering with the projection, so on wednesday I got some Christmas lights and installed them along on wall.

I worked out that my issue with the VR world gardens having the same textures was because they were copies, essentially Unity appears to ‘instance’ copies as a default. I had to reload the gardens as separate files to maintain their differences.

I made a layout drawing to help me position the gardens so that the world functions as a circle, the idea being that you follow the succesive gardens and end up back where you started.

The Geranium Project (R&D) 22

After a desultory effort at last weeks blog due to a truncated week this week was better focused and, eventually, more productive.

This is a better photograph of the drawing begun last week, I’m hoping to be able to interpret this into a 3d model for the hedges in one of the garden versions. The main thrust of the week was developing the interior of the installation upstairs while preparing for an event in mid December where the new installation and the VR need to be presented.

I spent Monday doing some work on the drawing and installing the projector for the new installation. I’ve raised the height to limit the shadows now that I’m not having the revealed texts, and need to limit the width of the projection to the eight foot square backcloth that you will be able to walk through. Doing this on a shoestring means that I’ve used a drip cover I had as the projection screen, after testing I’ve had to paint the centre of it white so that the video shows up better. The next stage is to limit the space, making the environment more oppresive and confining. This will limit the audience to two or three at a time, but that will (may) allow for the ‘player’ to leave the installation and enter the VR world.

Alongside this we had a heavy frost on Tuesday so I took the opportunity to photgraph the garden and on Wednesday I adjusted the VR to make the frost garden. The two pictures below show scenes from within the ‘frost garden’ in VR.

colour adjusted garden

Frost Garden in VR (the ground is icy now)

On Friday I worked on the installation, using the ‘Snow Line’ scultpure to build up one side of the installation.

Composite views of the new installation

Lit view of the new installation

Lit view of the new installation

The installation is taking shape now and I’ve created a couple of niches where some interactive elements will be installed – I need to introduce some lighting and at a low level and the sound needs significant work.

The Geranium Project (R&D) 17

Following on last Friday I’ve got a group of students coming this week. Monday was spent cleaning up the current file as much as possible. I’ve kept a copy for my visitors to see on Wednesday.

Presentation to Students from Barnsley College 16/10/2019

The visits start with a brief presentation that covers the studio (axisweb, insurances, precarity, etc.,) and then the ACE project and it’s gestation. This is followed up with a chance to try the VR and look at the installation. I then get people to feedback on the big boards.

Student feedback 16/10/2019

The students were generally positive about the work but there were a range of views about the validity of VR as an art form, how well the installation worked and whether the two elements worked together. So far I’m pleased that the feedback reflects my own feelings about the next steps for the work.

I’ve got a couple of videos of students using the space so I can get information about how it is used.

At the moment I still need someone to instruct the ‘player’ as they negotiate the space.

Do I insert instructions into the space, and if so should they be written or spoken?

After Wednesday I spent some time working on the new version of the garden, finally resolving (as best I can) the splashes into 3d models

The video shows importing, scaling and positioning some of the new models. There is still a good amount of work to do.

The Geranium Project (R&D) 16

The Geranium Project (R&D) 16

The video shows the run through as it was on 7th October 2019. This week is about getting some feedback to help determine progression. I have meetings with collaborators today and Wednesday and then an open event on Friday.

NOTES From Wednesday 09/10/2019

Mike Stubbs studio visit 2:30 pm

Look up Geoffrey Shaw, MS commissioned him in Australia, from HK University. Very experienced in VR, particularly dome tech.

Look up Drawn Code, commercial VR and immersive installations, based in Liverpool, have made portable VR installs.

Question why you need a built environment and why it would need to be more permanent, does the built environment have any intrinsic value?

Look up Society Art Technology (SAT) – Montreal they have a dome with 16 cameras, there is a 1-2 week timescale for converting media to run in the dome or it has to be specially made.

Would the installation work as another structure, dome, variable (adjustable)?

For the presentation:

Don’t show the whole video on the VR slide, if you give people the experience they won’t try it out. Maybe bring them back if there is no time for all to try it out.

In the installation:

Bleed the drawing onto the back wall, it makes more sense for there to be something under the projection.

Move the projector up and keystone it to the screen. The text on the back is not happening now so the waist high installation is redundant.

It needs a better sound quality for exhibition, but the installation with the film and sound forces you into your own space. A quiet kind of space, peaceful, spiritual?

Practically you need to tell people how to engage with the piece, how long does it last? Should people stay as long as they like or for a defined period? Does it have a start and a finish time? Put a notice up informing people of these things.

For the VR experience:

Ask people if they have used a headset (VIVE) before. Expect them to say yes even if they haven’t. Use the full headphones not the buds.

Before people wear the headset give them the instructions for movement, showing them the hand controller and how to use it. Be explicit about the direction of movement using this and that they can walk through the screens at the ends of the gardens.

Tell them that they may feel a little motion sickness or vertigo and to let us know if they want to stop.

Increase the speed, or at least the ability to accelerate.

Aside – Look up Damian Murphy from York St. John’s and remember John Stopforth.

Look up NOTES ON BLINDNESS – VR Documentary, about 6 years old was shown at FACT.

Are you going to the Aesthetica Film festival? VR section.

Check out ‘Eyes of the animal’ a VR experience staged in Grisedale forest by Marshmallow Laser Fest and ‘Ocean of Air’, used breathing to nvigate and change size.

You should stage the VR in the garden! – A precise location would help the spoken word element. Keep Writing!

I’ve copied my notes from the meeting verbatim so I have a legible record of the thoughts and suggestions I’m receiving. I have two boards in the studio on which people will write their opinions, suggestions etc., as they experience the piece(s).

There was a suggestion today that I exploit the sensation of VR, the motion sickness, by having tunnels between the spaces – rabbit holes. After thinking about this I’m inclined to keep away from this approach. The two key things I want for the space are that it is not attempting realism and that it is not a game space, it’s not about the ‘wow’ effect but is rather about reflection and calm.

Friday I tidied up the space a litle more before visitors came to the presentations. We had about a dozen people who mostly came for Andrea Berry’s very good presentation about her installation.

I separated and re-rendered the videos for the installation, the six minute version is too large to embed here and set the space up as a close to finished as possible.

The evening went well in terms of the reactions to the VR piece and the installation. The latter is seen increasingly as a thing apart from the VR and I need to work to reconcile this. The best suggestions (closest to my own feeling) recognised the need to make the installation more confining and have it reflect the VR world much more closely, the suggestion is that there should be sculptures in it that are also in the VR world.

I have two groups of students booked in for next Wednesday and the Wednesday after to get a bigger selection of opinions.

The Geranium Project (R&D) 08

This week was supposed to be when I moved the VR into the space. Best laid plans and all that. I still need to sort out the internet for the studio and that’s delayed me for a week at the least. Life has intervened in other ways as well so part of the week was spent on the phone to Virgin Media.

I did get to the studio on Monday, continuing to work on the drawings I started last week,

Large Hydrangea August

Large Hydrangea August

adding some green to the big piece and working into the centre with black pastel and fingers.

One of six drawings made on Monday and Wednesday last week

One of six drawings made on Monday and Wednesday last week

As an example this is the development of the one I posted last week, another one looks like this now…

small hydrangea

small hydrangea

After this I got waylaid by virgin and decided to work on the VR at home for Wednesday and Thursday.

VR installation test

VR installation test

The first test I made works some of the drawings into a model of the installation space. The next two try to work the same drawings into the garden as a whole.

VR garden test

VR garden test

The latest has better materials but I’m still working out the problems with importing scale, establishing movement etc., should all be resolvable but I want to get it into the right ballpark before I bring the experts in.

2nd VR garden test

2nd VR garden test

this image and the next best illustrate the issue with scale

2nd VR garden test

2nd VR garden test

After 3 days away from the studio I continued to work on the large drawing, and did some further work on the small ones, but my major effort was to stretch some more paper on my new drawing boards.

large hydrangea

large hydrangea

small hydrangea

small hydrangea

And the studio looks like this.

Studio mid August

Studio mid August

The Geranium Project (R&D) 07

This week spent mostly working through the ramifications of paying people through the ACE funding. Actually quite easy to sort, and not too onerous a task when you’ve worked it out, but a real pain to find and understand the information through the HMRC website.

I decided I needed to get some greenery into the studio and this prompted a new set of drawings.

Hydrangea

I started a set of six drawings, this is one,

One of six drawings made on Monday and Wednesday

I also ordered some wood to make a large chest for storage – intentionally very heavy.

Large Chest

and started a big drawing…

Large Drawing begun Monday

I’ve worked further on this on Friday but the process is quite slow as the layers are added and I’m entirely unsure about the colours.

Progress on big drawing

This may well be torn up eventually. This week is a hiatus before the work on the VR component begins in earnest.

The Geranium Project (R&D) 06

Monday was spent installing the curtain for Andrea’s installation and then positioning ‘Snow Line’ and hanging the companion drawing.

Monday Prep

Monday’s preparation

Andrea’s piece is a re-imagining of her recent MA exhibition about motherhood.

Andrea Berry - Installation

Andrea Berry – Installation

It has lighting and sound so this video gives a better impression.

On Tuesday we finished setting up the gallery downstairs when Luke and Kim brought their work from Barnsley. Adding a black curtain over the white for the downstairs installation and hanging seven of Kim’s large images. Luke placed his matrix of nine small prints at the foot of the stairs.

Composite Exhibition Image

Composite Exhibition Image

The evening really started for us at about 5:30 pm and we had a steady stream of visitors until I was able to lock up at 8:20 pm. Generally people were engaged and interested and we had up to fifteen people upstairs by 7:30 pm, so maybe between 80 and 100 visitors over the course of the night.

It makes it feel like the project is officially underway, even though that’s been the case for six weeks now.

The prosaic stuff. As this was part of the Doncaster Crawl, Doncopolitan contributed to the launch with posters and publicity as well as a good deal of coordination over the evening. The cost was limited to providing refreshments for our visitors so the evening cost me about £40.00 – It is useful to note that this cost is personal because no events were proposed in the project, it being R&D, but there will obviously be some costs associated with the planned review events in late September and December. Filling the holes from the last hang and painting added another £10.00 or thereabouts as I had white emulsion in and only needed to purchase filler. There is always a good amount of time spent prepping for a show and this used 22 hours of the 96 I’ve budgeted for physical assistance.  The shop makes a good venue and the exhibition will remain in place for a month or so.

The Geranium Project (R&D) 05

Work on the big drawing on Monday 15th

Monday 15th was a return to the studio after a weeks holiday. The nature of a break is that it causes something of a reassessment and provides only thinking time, there is no time to make anything. I thought a lot about ways to create the drawings in 3D, whether doing this made the VR space an exhibition, if I was spending too much time worrying about that and I should merely make the world simply?

I tried out an idea for the space as a maquette.

Monday macquettes

Monday maquettes

On Wednesday I had a visit from another artist who is going to show in the space with me on Tuesday next for the Doncaster Crawl. The first publicised event for the installation project. A good portion of the day was spent discussing options.  I started an ‘inspiration’ corner to give any visitors an idea of what I was intending.

Inspiration board

Inspiration board

One board with some of my thinking and quotes from sources that have informed it – I need to work on some visuals for this.

Questions and Lookups board

Questions and Lookups board

On the whiteboard I put suggestions made by the ‘mentors’ and some questions raised by them and myself.

Afterwards I produced an addition to the maquettes.

Maquettes

Wednesday macquettes

Maybe the video gives a better idea of my thinking?

 

Friday was a day of tidying and organising for the ‘Crawl’. I cleared the gallery space,

Gallery space ready for Monday

Andrea Berry is showing some of her MA work and I’ll show the three ‘Snow Line’ works across the centre. Hopefully there will be some others in the space as well.  I’ll use the upstairs to show the beginnings of ‘Geranium’.

Studio space for Monday

Sketchbooks on one table

Sketchbooks

and drawings on the other

Portfolio of Drawings

It will all be ready for 5pm on Tuesday.

 

 

 

 

 

 

The Geranium Project (R&D) 03

Studio View

Studio view 24th June 2019 – tidied for meetings.

This weeks starting question – Is the urge to tidy up when faced with a blank mind a symptom of age? Is having a blank mind a symptom of age? Probably worth acknowledging at this juncture that my idea of tidy may not have a very wide currency.

I visited the new studio today but it’s a building site. I was told that they were stripping out inessential fittings, like the intranet wiring and some shelving, and I should be able to move in. I’d need a hard hat and breathing apparatus to be able to move in as it stands so now I’m fingers crossed for the place to be clear by Friday so I can move next week – otherwise I’ll need to do some quick thinking. I contacted my usual van driver about the move but he no longer has a van so I’m already at the mercy of strangers which increases the effort involved.

This week I’ve got three meetings that will largely determine the timetable for the project over the next nine months, hopefully starting with an informal launch at Doncaster’s Culture Crawl on 23rd July.

1819 pair_four_blog

I organised some of the drawings in the gallery to pair the originals, made last summer, with the new ones made in the last month or two. Each original drawing, which has a collage element, – http://www.ian-latham.com/blog/gallery/paired-drawings-2018-2019/ – is copied to a small sketch and then taken to the upstairs studio and reinterpreted as a pure drawing. It’s interesting to put them together to see how closely they match or quite how far apart they’ve grown.

Wednesday had a meeting with Wayne Sables http://www.waynesablesproject.co.uk/ who is going to give feedback on aspects of production and presentation as well as, with my other collaborators, engaging in discussions about the installation as it progresses. This is what the ACE funding covers, paying for the time of experienced collaborators who can challenge the work as it progresses.

Studio Corner

I also stuck up some of the newer drawings to keep the place from seeming empty, even though I expect to be moving, and began a big version of one of them.

Drawings June 26th

Large Drawing in Progress

Friday ended up being a day of meetings and a visit to the new studio – which now won’t be the new studio. The building is being turned into apartments and all but two rooms are inaccessible.

I met with Mike Stubbs, https://www.mikestubbsart.com/ who is a collaborator/mentor for the installation and Iain Nicholls, http://iain-nicholls.com/ who is specifically helping out with the VR portion of the project.

The week leaves me with a lot of possibilities for the installation going forward – we discussed form, location, looking behind you, the way you are guided through space, the outward appearance of the space and much more. One of my major headaches is going to be holding a firm grip of what I want to achieve during the discussions I have.

The Geranium Project (R&D) 02

New Installation Drawing in progress

New Installation Drawing in progress

Three wall view of the new installation drawing.

Another week effectively lost because of extraneous factors – as much as you might plan for breaks for a variety of reasons, they have a habit of arriving at the most inopportune moments. This week a planned break to visit family clashed with the need to organise moving studios and with the progress of the installation which gains an extra patina of angst due to the ACE funding. The fact that the project is financially supported makes it obviously more important that it progresses and succeeds. The funding was paid into my account this week which makes the thing real.

So I only really got to work on Friday and moved the drawing on as illustrated.

I re-read ‘The Myth of Wu Tao-Tzu’ this week, Sven Lindqvist discusses the morality of seeking to live in art and his own efforts to do so and awakening to the retreat it represents. In the preface to the first English translation, published in 2012, Lindqvist talks about ways he has witnessed this imaginative leap, in Australian Aboriginal art for instance where the pictures are maps of territories that cross the boundaries of physical and spiritual and of his own experience of Fiona Banner and David Kohn’s ‘A Room for London’, a boat atop the Queen Elizabeth Hall. He recognises that “Wu Tao-Tzu had the courage for solitude[…]He had the courage to disappear and continue alone, on the other side of the visible in art.”

the other side of the visible in art.

I had a visitor a week or so ago who suggested that if your work is not about the imminent threat of our climate emergency then what’s the point of it? Lindqvist comes to much the same conclusion, and presents the same lack of hope.

A mental picture of the space;

The Garden is not a copy, or a description, is it an equivalence (obs.)

You walk in the space. There is a path through the space. There is an apparently impenetrable wall around the space but on closer inspection there are gaps. Any hole in the fence takes you to another world (.wrl sense). Through one gap you enter a vast field, at a distance is an object, you can go to it and see that it is a framework of right angles with an ordered tube curving through it. There is nothing else in this space. Yet.

I have not found a way to make roses, yet.

There is the sound of birds singing some distance away.

In the garden a bird hops from one fencepost to the next fencepost.

A cat crosses the garden, curls up under a tree, slows its breathing and disappears.

If you are here long enough you will the cat will reappear, uncurl and walk slowly out the garden. You may follow.

A bird perches on the fence, a female blackbird, she calls shrugging her wings and tail. The call is echoed from a shortening distance.

It would be good to have a secret superimposition of the real and virtual spaces – there are three spaces – REAL – INSTALLATION – VIRTUAL.

Can (shall) I play the sound from the real garden live in the installation?