Lockdown Nine (the most bored week so far…)

This gallery has the continuation of my ‘draw every day’ attempt, so far I’ve managed every day since the 6th May

and now through June since the 6th.

I continued with the scyulptures, making six maquettes last week.

These are using the cast plaster rocks and the steel rod. I managed to submit for the Cast ‘Scratch Night’, that might be interesting (if I get it) and continued working on the ‘et in arcadia ego’ models.

I finished this painting.

Still life with fox jaw, lemon and dried rose

There is now a set of five of these,

each 10 inch square, oil on board, an attempt to relearn painting by drawing directly with paint onto the board. The middle one is in the Doncaster Art Fair competition on line and I’ve got my fingers crossed.

I’ve tried gilding the first of the small sculptures, that and painting being the next step, and it looks like this now

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

 ‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

‘Balby Garden No5 (June 2020)’ plaster, steel rod, paper; 1’x1’x1’6” approx.

Still thinking about the VR work and how to build a structure to house the experience. Also varnishing BGNo5 and finishing the others.

Still difficult to focus thoughts on the work as its impossible to get away from it!

 

Lockdown Eight (Too busy to think)

Another lazy post, been too busy gardening and prevaricating since the last one.

small painting gif ‘fox jaw’

I made this small painting, and I entered the last one into an online competition…

It’s there on the right, you can click this link to vote for it https://www.doncasterartfair.com/?pgid=kb84pw6k-c20b0fd7-b161-42b3-ac0a-0086832b9f2e but I don’t really stand a chance, the final 30 are picked through the online vote and half an hour in some of these had 500+ votes. I don’t know enough people online. It was free to enter though.

I’ve been continuing to work on the ‘gardens’ project, tentatively titled “et in arcadia ego” the viewer moves through a series of gardens, all the gardens I’ve spent time in. I think its about the pursuit of quiet spaces, the expanding and contracting nature of safety – mental and physical – and the chimeric nature of confidence (for a start).

This is the first space, the back yard at Glover Street in Birches Head, Hanley, Stoke-on-Trent. The spaces will eventually lead to the garden I used for geranium and I’m working on a post explaining the concept fully for a new funding bid (small funds but tech support).

I’m building sculpture this week, I’ll post it next week or on the internet as I go.

Lockdown Six (and on, and on, and on…)

Lazy post this week…

The gallery has been updated with the daily drawings.

I’ve also spent quite a bit of time working up the parts for some maquettes, the series of photographs tell the story…

paper drying in the sun

paper drying in the sun 25/05/20

mould making for rocks

mould making for rocks 27/05/20

mould making for rocks 27/05/20

mould making for rocks 27/05/20

finishing the moulds

finishing the moulds 28/05/20

Outdoor workspace

Outdoor workspace 28/05/20

Solid Castings

Solid Casting 30/05/20

Solid Rocks and half rocks

Solid Rocks and half rocks cast in plaster of paris 29 & 30/05/20

Outdoor workspace 31/05/20

Outdoor workspace 31/05/20

Plinths

Plinths 31/05/20

I’ve made a whole series of parts for the maquettes I’m planning.

I’ve also modelled the old backyard from the house I grew up in in Stoke on Trent for the VR piece I’m working on.

Onwards and onwards!

Lockdown Five (a continuing, if erratic, saga)

A bit of a mixed couple of weeks (12 days as I’m writing) doing a variety of different things.

Lots of gardening, lots of preparation for a series of small sculptures – nothing to show there yet – drawing, painting and so on.

Looking through Instagram, which I just rejoined, I came across #draweverydayinmay2020 run by ‘Marigold the Maker’ under the auspices of The Big Draw. Part of it is to use the additional hashtag #stillpointsketchingchallenge and place some creative limitations on your daily sketching. I decided to use Autodesk Sketchbook to produce all the drawings on my iPad, work between 9:00 am and 10:00 am each day and remain in my seat at the kitchen table.

painting of lemons

Teaching myself to paint

I also bought myself some boards, 5mm ply 25 cm square, to do some small paintings, just to keep my hand in. These lemons were started the same day I drew the two in the dish in the gallery.

I also applied for the Yorkshire Sculpture International Network 2020, which is a set of online meetings fortnightly from June until October where Each of the participating artists will be invited to contribute to developing the content of the network’s programme and to the research and development for the next Yorkshire Sculpture International festival. This programme will enable us to ensure we are building the future artists’ professional development in the most useful way for artists.” I should find out if I’m successful next week, I can’t imagine there will be many people my age applying.

ArtBomb Video  

Flickr Video

Art Bomb Video

I’m posting this again to remind myself, the arts group I did this with has done a zoom meeting with all the videos played, I wasn’t invited (or I missed the email?) I know it’s not great but it would have been nice to be asked.

More Lockdown (less success)

I’ve got the WebGL down below seven minutes consistently, with data caching, it’s still too long though. www.ian-latham.com/geranium/build_newmirror

Began thinking about meadow forms for sculptures.

07/05/20 tried loading the WebGL again, took 20 minutes to do nothing, 12 minutes to load, then twice seven minutes to load each time with no sound! Next step is to upgrade the Unity programme which means a complete rebuild. Love this game!

08/05/20 Too nice a day to mess about with Unity so I did some sketching in the garden and started to work a maquette for the meadow forms.

buttercup sketch

buttercup sketch

I’ve started to draw on the iPad in the mornings as well, posting them on instagram. [@latham_1959] The maquette is air drying clay and will be varnished and cast in plaster.

common orchid maquette

common orchid maquette

I’m thinking of different finishes, certainly mounted on a stem.

meadow forms sketch

meadow forms sketch

Since these, a couple of days ago, I’ve had to update Unity to try to resolve the load issues.

LOCKDOWN CONTINUED:

When I’ve spent time in the studio in the last week I’ve spent it trying to get the model to laod as WebGL from Unity. I can make it work in the programme and it builds succesfully but it will not work from the web! I’m typing this while I’m trying it again. If it works this time it will be here www.ian-latham.com/geranium/build As I type it doesn’t look like it will!

Otherwise this week I’ve been gardening, the bottom of my garden looked like this on Monday 20th April.

Waste Ground

Waste ground at the bottom of the garden

And like this on Friday 24th April

Mini Allotment

Mini Allotment

This film shows the WebGL build in Unity.

Spent another couple of hours trying to get the WebGL of geranium to work, it does work, it just takes 9 minutes and 41 seconds to load www.ian-latham.com/geranium/build

LOCKDOWN BLOG POST – First of ?

START: 17/04/2020

After moving from my studio as detailed in my last post I’ve been unable to write anything. Perhaps incapable is a better word. Obviously the latest Grant application was abandoned and I’m left in a kind of limbo. Fortunately I don’t need the money to live, only to work effectively and make the appropriate investments – time, contacts, equipment, etc., – so I’m one of many who is just happy to be ok and creatively feeling a bit numb.

garden drawing 13/04/20

garden drawing 13/04/20

So I did a drawing, A1 size or thereabouts, in charcoal, pencil and watercolour (a couple of dabs of white). This one took about four hours on one of the fine days we’ve been having.

I’ve also been working on new models for the geranium project, rebuilding them so that they can be played on desktops or through browsers.

geranium project page with an embedded WebGL game

I’ve uploaded a fairly straight version to a site called ‘simmer.io’ there is a link on the page for the project. It takes up to two minutes to load and it doesn’t work on Safari, it also doesn’t allow you to look up or down for some reason and has an annoying walk speed and sound.

I’ve been resolving those issue though and hosting new attempts to sort this on my website. Here www.ian-latham.com/geranium/game

This one is just one garden at the moment and has no sound, but it loads quicker and allows you to look up etc., these are both controlled using the mouse to look and arrow keys, or wasd, to move around.

I’ll be updating this location as I try out new things and bring in more gardens.

A final thought. I’ve been reading a lot of ‘art’ stuff,

[…] I want to speak loudly for what art has always been — something done against the rules of advanced capitalism. Art isn’t about professionalism, efficiency, insurance, and safety; it’s about eccentricity, risk, resistance, and adaptation. Mike Egan, owner of the visionary Ramiken Gallery, writes to me, “Art will not survive as some dull thing, some social good that we must support out of consensual responsibility to the social good. Art will explode with the desires of the people to see action play out, with tears, screams, harmonies, and some death.” He goes on, “Watch what happens next. Galleries will go under — unless they survive. How to survive? Passion. Obsession. Desire.” Indeed, in this time of sheltering-in-place, he just moved his gallery to a decrepit building across from a garbage dump and told me he opened “a secret show.” I thought I felt the rumble of art’s old thunder when he wrote this to me. In this and other similar gestures, I imagine a new “First Days of an Art World.”

https://www.vulture.com/2020/04/how-the-coronavirus-will-transform-the-art-world.html

Jerry Saltz waxing lyrical about the effect of Covid 19 on the “Art World”, April 2nd 2020, notes that a large number of galleries have reserves that will last a month or two at most. In the UK commentators are noting that the closure of the gallery closes the gallery shop which for many is a major income stream. ACE has launched an emergency funding scheme that seeks to mitigate the disaster that has hit a majority of those self describing as artists. Friends of mine are working to maintain connections and bolster the support networks that run alongside practice for a good number of creatives. The thing for me is that a lot of this points up the commodification of ‘art’ and speaks to a constituency that judges artworks according to their social value. The ACE parameters are that you earned more than 50% of your income from funding streams (not necessarily theirs) and can demonstrate this loss of income. It’s either this or hopeless idealism it seems. I’m interested to see what remains after COVID-19, but also extremely nervous.

Studio Strike (four weeks to leave)

I’ve got three weeks to pack up and leave the studio and, as these things do, it’s come at a time when there are other things to do. I’m losing two days for the Future Now conference in York (C-19 permitting) and two days with Barnsley College to help out and begin the NHS maquettes. I’ve also got to find a new place and I’m still working on developing new ideas and refining the geranium VR. This obviously calls for a diary, even if only because it will keep me focused on the things I need to do.

So the first thing is to take the studio apart and pack everything while I look for more space. The shop now looks like this…

One Days Tidying

One Days Tidying – Monday 9th March

I think I can pack everything up by the middle of next week, I’m in York on Thursday and Friday. On Monday I sent some emails, took down the exhibition and the walls for the workshop downstairs, and added more sounds and animations to the VR for geranium.

geranium_march_2020_medium from Ian Latham on Vimeo.

Also this morning, Tuesday, I got the acknowledgement of my next funding application to ACE, so I will find out if I’m successful at the same time as I give the keys back to Axisweb.

Wednesday Tidying

Installation Dismantled – Wednesday 11th March

Wednesday I took down the installation and started to disassemble the panels. I also took the opportunity to film the installation without a roof.

The first chance to see it with decent light.

Friday I finished the panels and started to pile everything up downstairs ready to move. Another day should see it done.

Upstairs Tidying

Installation Fully dismantled – Friday 13th March

Downstairs Friday

Downstairs Tidying – Friday 13th March

Leaving the Studio

I moved into my studio at 13 Scot Lane on February 6th last year, and last week I got notice to quit by April 4th. It has been a long lease for an Axisweb tenancy and very valuable to me. I got the ACE funding and completed the geranium project (R&D), so I have no complaints. I do have quite a headache though. I’ve three weks effectively to pack up and move just when I’m getting some interest in seeing the project from people who might think of showing it.

The shop the day I moved my gear in

Moving in Day 6th February 2019

I spent the week sorting out software licenses, meeting people to discuss possible exhibitions and planning for a project for the NHS in Barnsley. I really need to do some drawing!

I’ve got the Future Now conference at York St. John’s next week, Thursday and Friday, with a meetings with an ACE officer and a portfolio review. It was this time last year when I attended this conference and showed my work to Jane Bhoyroo from Yorkshire Sculpture International whose response convinced me of its viability and Denise Fahmy from ACE who gave me really valuable advice about making an application. Looking forward to hearing Cornelia Parker speak at this one.

Some links that are interesting and may potentially come up again in the next few months.

http://alittlepieceofland.org.uk/

https://access-space.org/

http://artspace.org.uk/

Place Markers, not Milestones

Guy Debord, The Naked City, 1957

For today, after experiencing some drift myself, I’m putting this here as a placemarker. If you’ve followed the blog you’ll have an idea of what I mean by that as the work I’ve been doing is psychogeographical.

I’m struggling to articulate the work and its underlying theories without establishing a road map and this situationist approach seems to be the most appropriate for now. I’ll post my thoughts when I know what they are.

The image is from McDonough, T 2004, Guy Debord and the Situationist International: Texts and Documents, MIT Press, Cambridge. which is sitting on my desk as I write.