Directionless Direction

Directionless Direction

Another New Studio

 

A trip around the studio on Friday 17th November 2023. This shows the “redfilm” [link] video in its new projection, then moves out of the booth navigating the “three red trees” sculpture and briefly views the three red garden drawings that had been framed at this date before showing the different lighting settings for the NHS lemniscate. The video looks at the comfrey torus and ends on the trees.

Directionless Direction

I took delivery of the frames for the new work on the 17th November and started to frame the existing work. Red Garden One is above, Red Garden Two and Red Garden Three below.

Directionless Direction

On the 18th I decided that the new iteration of the Redfilm should have statistics about the climate crisis, centred around global warming. I spent the day making the slides and inserting them into the film. The facts were gleaned from the Intergovernmental Panel on Climate Change Sixth Assessment Report March 2023

Via World Resources Institute . The new film was entirely unconvincing and makes the whole concept somewhat patronising, so I dropped it.

On the 19th I found a review of Jewel Spears Brooker, T. S. Eliot’s Dialectical Imagination. Baltimore: Johns Hopkins University Press, 2018. 240 pages. ISBN 1421426528. [LINK]

In which the reviewer, Michelle A Taylor of Harvard University, comments that

“the “deception of the thrush” is that the “world of speculation” can be made real, that the objects of the mind could overcome physical objects, the reality of the body: so Eliot returns to idealism—…—and sees it for what it is. Like interpretation, speculation posits its own world, immaterial, with only some relationship to fact.”

I’ve ordered the book to more fully study this but the meat of it is what I’m exploring the edges of in this current set of work. The idea that the fact of making things as an artist removes from them the possibility of representation because they lack the contingency of design. I suspect that as I reach out for the chance to articulate this the art world itself has fully embraced the contingency of design as a necessary precursor to the creative act. When I was much younger and became a teacher I spent the first ten years of my career teaching design precisely because there are methods and, whilst you can make up the rules you follow, there have to be rules. In art, which I consider absolute, you can’t teach it you just have to do it. This is what I mean by Directionless Direction.

Directionless Direction

On the 20th I made some collages exploring the forms in the big red sculpture and the source for it, two of which are reproduced here. The one above was used as the basis of the bigger drawing discussed further on.

The next two photographs show the drawing “bigred” begun on the 22nd of November and made with inks and pastel.

Also on the 22nd I started Red Garden Four.

At the end of the 22nd it looked like this with the addition of the chainlink and the panel.

Directionless Direction

On the 24th November I added the fence posts and the bushes but decided the piece needed more definition. I added a wash of Indian ink and then painted the sky out with Titanium White oil paint.

I also continued to work on the “bigred” drawing.

Taking it through the stages illustrated above, becoming more like the collage as it progresses.

By the end of the 27th November the drawing looked like this, and the studio was beginning to be ready for the Open Weekend at the beginning of December.

Additionally on the 27th I published the first release of the “doncplatonic” app.

On the 29th I worked more on the “bigred” drawing and started another drawing based on a photograph by a local photographer  Jamie Bubb, with permission, that was posted to threads a day or two before.

I’ll post more of the open day in a separate post and also a more detailed accounting of the reason for it all.

Drawing

I’ve continued to draw every day;

The November drawings can be seen here

and the October images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.

Still in the Red

Still in the Red

Open Day

Another New Studio

Still in the Red

the studio in a convex mirror

Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush?

TS Eliot ‘Burnt Norton’ 

Despite my best efforts the concerns I had when developing the geranium project  remain central to my practice and I feel as if I’m in a dialogue with the inherent nostalgia evoked, in particular, through the Four Quartets 

The work I started and discussed in my last post led to me making the space to build a large sculpture based on the three trees maquettes I’ve been making. The sculpture must have spaces inside its mass that are inaccessible to adults because that’s the truth of the actual location (I am working alongside on a VR project that will express this better). In order to clear apples from the garden I need to get on my knees and that act immediately changes my relationship with the earth. I am attached more strongly to the ground, limited in my ability to move and given a different view of things. It’s this feeling I carry in to making and essentially try to replicate in the process. The object is the manner of its making.

Still in the Red

The build process

In this case that starts with an external armature to which I can attach shapes based on those that have grown. Each of the stages is followed by a Polycam scan of the sculpture at that stage.

Still in the Red

with the armature removed

When I’ve got the basic form I remove the armature and make sure the structure can stand.

Still in the Red

with the armature removed

This, if you like, is the outline, and I can then build on this to fill out the form I envisage.

Still in the Red

adding form

I used cartridge paper to do this and I’d normally make this more rigid with resin but my current studio arrangements don’t allow for this. It’s always worth noting that the material determines the quality of the form.

Still in the Red

adding form

The form, once complete can be painted and in this case it will be red.

Still in the Red

First coat of Red

The piece is about seven feet tall and will intially be painted using two shades of red. I’ve managed to put the first one on so far.

First coat of Red

I’ve found time to work on some of the drawings and my sketchbook, this is the third red garden drawing

Red Garden Three

Still not finished.

Open Day

You’ll have noticed this at the top of the page, try to visit if you can, the other two are really good!

New Start

New Start

Another New Studio

After having Covid19 and therefore doing no work between the 2nd October and the 18th October, I found I’d reached the point where I didn’t know what I was going to do. Both the summer projects were finished and while I have a list of several things I’m interesting in doing I wasn’t really committed to any of them. So I wanted a New Start.

So on the 18th I went in to the studio with a view to experimenting with the Redfilm output 

I had two large boards ready for drawings and I decided to use these to make drawings to complement the films.

New Start

red garden underpainting

18/10/23

This drawing started as ‘red_garden’ and was taken through the underpainting using pastels with water through the day.

New Start

red garden ink layer

23/10/23

A week later I’d had delivery of some more Red media including Ink Blocks from Derwent [link] and the drawing was worked up as seen with the addition of some highlights using white charcoal, as seen below.

red garden 23102023

23/10/23

New Start

red garden two underpainting

18/10/23

The drawing above was begun as ‘red_garden_two’ and the underpainting was done with pastels and some very cheap pre mixed poster paint.

New Start

red garden two ink layer

23/10/23

Again I further worked up the drawing on the 23rd with the ink blocks and finally added highlights with white charcoal.

New Start

red garden two 23102023

23/10/23

New Start

red garden three

23/10/23

Also on the 23rd I started a 3rd drawing on an A4 board, ‘red_garden_three’ produced in the same way.

New Start

studio 23102023

23/10/23

I ended the 23rd with the studio looking like this and decided to change it when I came back as the mirror experiments with the film didn’t work.

New Studio

Studio from Window 25102023

25/10/23

So on the 25th I took down the projection room with a view to making a smaller one to view the edits in isolation.

New Start

Studio from Door 25102023

25/10/23

The day was finished with the studio looking like this and I discovered that Covid19 has left me completely knackered after what seems like not much work.

New Start

Red Sketchbook 19th October onwards

19/10/23 onwards

While this was going on I continued to work in my attic studio using stills selected from the films to develop ideas in my sketchbook as the starting point for new work going forward. Initially this was envisaged as two dimensional and Virtual work but very quickly grew into physical sculptural form.

New Start

Maquettes made from 20th October onwards

20/10/23 onwards

studio from door 30102023

After the 30th I’d finished the viewing room and made a space to build a large sculpture.

New Start

studio from window 30102023

I also did some further work on the red drawings.

red garden three 30102023

This is red garden three, the A1 drawing.

red garden two 30102023

This red garden two,

New Start

red garden 30102023

The Red drawings are not finishshed and I’ve started a large sculpture that will be featured in my next post, but that’s my new start.

Drawing

I’ve continued to draw every day;

The October drawings can be seen here

and the September images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.