The Burial of the Dead

The Burial of the Dead

Another New Studio

‘April is the cruellest month, breeding

Lilacs out of the dead land, mixing

Memory and desire, stirring

Dull roots with spring rain.’

TS Eliot: The Waste Land 

April has been a great big steaming waste of time. Everything I’ve tried has turned out badly and in the end I’ve had to put everything away and start again. I ended the month reading an article online that takes a very jaundiced view of the art school in the UK and is extremely difficult to argue with. 

d’Alancaisez, Pierre. ‘Art School Hotel California’. Elementy, no. 6 (2024). https://doi.org/10.52652/e.6.24.12.

The succession of photographs that follow present a view of my efforts over the month to prove to myself that I was active even though the evidence will be destroyed.

Horse Parts Template 04 April 2025

I drew out the parts on insulation foam

Horse Parts Cut Out 04 April 2025

Cut them out

Leg Parts Bandaged 09 April 2025

Wrapped them in plaster bandage – the mummification never mind the burial of the dead

Horse Body Bandaged 11 April 2025

Assembled the body, the problem is becoming more apparent I think

Horse Parts Positioned 14 April 2025

Positioned the parts, held them together with steel rod

Horse Parts Assembly 16 April 2025

Bandaged them again to hold the legas together as individual units

The burial of the dead

Horse Parts Head 18 April 2025

I’d already made the head and tail. Watched the whole piece fall apart because the joints won’t hold

Horse Parts Fixings 21 April 2025

Strengthened the joints so I could tighten them together

Horse Parts Connections 23 April 2025

Assembled the horse again and watched it collapse.

Horse Legs Remade 25 April 2025

Decided to join the two legs from each side of the horse together to see if I could build it differently

Horse legs abandoned 28 April 2025

Stopped flogging the dead horse when this failed, tidied the studio, reorganised so I could reach the blue foam.

The month wasn’t a total waste, I did this drawing at the satart of the month,

Mare and Foal 02 April 2025

and I made a small version of the horse to illustrate what I’m aiming for.

The Burial of the Dead

Circus Horse (after Seurat) 02 May 2025

Drawing

I’ve continued to draw every day;

The April drawings can be seen here

and the March images here

There is a link to the previous month’s Gallery on each page.

Or you can go the Galleries page on the top menu

The drawings are posted to  Instagram each day.

Quicksand

Quicksand

Another New Studio

There is a way in which applying for funding sucks the life out of you and makes you perceive your practice as lacking any kind of progress. A lot of applications, anything in ACE projects or DYCP and most other that arrive without fanfare require a well defined project that hasn’t been started yet and won’t be started until the grant is approved. The problem with this is that you spend so much time waiting for the decision, I know you how long you’re going to wait and I know everyone writes that they follow the rules but nobody does, that you can’t summon the energy to do anything once you’ve been declined. Needless to say I didn’t get mu grant funding! Sigh!

The only thing to do is carry on regardless. I’m also getting a bit pissed off with funding providers who will only comment through social media channels. I don’t won’t to be on LinkedIn anymore, I really can’t be arsed with Facebook and obviously I ditched twitter years ago (feels like it anyway). Why they can’t put their posts on a blog on their websites is clearly so technical it is beyond my ken.

Anyway this last two months have been about applying for funding and reaching a point where I couldn’t progress while I awaited an outcome and the subsequent come down. Hence the quicksand, I was already slowing down but the rejection sent me stuttering to a halt. Then there has been the prep for an open studio event next week.

Quicksand

scene notes

At the beginning of the month I had a lot of notes like this one in my notebooks, this one a scene list for woolgathering.

Quicksand

Horse and Fox

Fox

And I decided to build a fox, and then a horse based on the Uffington white horse.

White Horse

Stress Free Living

After painting both and spending a lot too much time working on animating the fox model I realised I needed to build an articulated version of the fox to make the animation easier.

Articulated Fox

In the end I split the body to make the spine articulate.

Fox Drawing

Then made a drawing from the fox model. That will resolve into the scene below.

Fox in the Moonlight

Articulated Fox

I found I would need to build the fox out of something stronger to enable it to stand unaided and for me to change the position.

Flowerbed Drawing 17 03 2025

I also decided to do more work on the flowerbed drawing after it was rejected for the Jacksons Art Prize.

The current state of “Woolgathering” is in these two videos, the second one reduced to five minutes for a competition entry.

 

The rest of time has been spent framing and hanging small paintings in the studio for the open weekend coming up. The hackwork is always like trudging through quicksand and gives surprisingly few rewards when looking at the slightly older work.

Peppers and Fruit

Primrose, woodland plants, leBrun bather, Dunnock

Small Foxes, Apples, Candles, Interior and Glassware

Prints from large drawings

woodland, pigeons and sparrow, still life.

Drawing

I’ve continued to draw every day;

The February drawings can be seen here

and the January images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to  Instagram each day.

Less Space in the Studio

Less Space in the Studio

Another New Studio

In the book ‘The Garden Against Time’ Olivia Laing writes about the restoration of a garden, delving into its history and the forces around it that shape that history. She writes

…I was exhausted by the perpetual, agonised now of the news. I didn’t just want to journey backwards through the centuries. I wanted to move into a different understanding of time: the kind of time that moves in spirals or cycles, pulsing between rot and fertility, light and darkness. I had an inkling even then that the gardener is initiated into a different understanding of time, which might also have a bearing on how to preclude the apocalypse we seem bent on careering into. I wanted to dig down, and see what I could find. A garden contains secrets, we all know that, buried elements that might put on strange growth or germinate in unexpected places. The garden that I chose had walls, but like every garden it was interconnected, wide open to the world.”

It is a fascinating book drawing on notions of the garden from Milton’s Paradise through John Clare and the ravages of enclosure and even to Iris Origo’s war diary from la Foce, ‘War in Val d’Orcia’ with all the diversions you would imagine and never shirking the moral ambiguity at the heart of all interactions with the land.

That idea of connecting to everything through a seemingly solitary activity is exactly what I’m trying to achieve with ‘woolgathering’

A lot less Space in the Studio

tree one 16 12 24

So in December I made one more big drawing of the flower beds and worked on the VR world, firstly refining the ground so that the lawn is flat and then working on the jumps between the life size and micro views that will lead into the other worlds before finally putting in the background from Google Maps to place the garden in a bigger environment.

This is the environment before i adjusted the lawn.

This one has the new lawn

and this one has the surrounding environment.

Obviously alongside this I needed something to put my energy into when the VR becomes too frustrating so I started some drawings of trees after seeing a photograph by a friend.

As well as the one above the videos I made two other small ones.

tree two 16 12 24

tree three 16 12 24

Before these the big ‘woolgathering flowerbed’ drawing was done over two days in the studio and is around 130 x 110 cm, pastel on cartridge paper.

Even less space in the studio

Woolgathering Flowerbed

I made a process gif over the two days the drawing took.

woolgathering flowerbed process

Meaning I have even less space in the studio

Even less space in the studio

I started a big drawing of the trees on the 3rd January and also a couple of paintings based on the flower drawings while I was downloading an environment maker for Blender so that I can add a meadow to ‘woolgathering’ after John Clare’s ‘Helpstone Green’

tree four 03 01 2025 in progress

 

Flowers Painting 03012025

Flowers Painting 03012025

Both these are c. 50 x 50 cm

Drawing

I’ve continued to draw every day;

The December drawings can be seen here

and the November images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to  Instagram each day.