Studio Build FOUR

Week Three in the Studio.

Worked on stabilising the big table for the 10” saw. Bought fishing line and tried a leaf to see hoe it worked in the space. I’ll need to stretch the line out so it hangs straighter.

Collaged elements onto the big drawing using PVA diluted 50/50 with water. The idea is that the bubbles will be split and torn when the glue is dry and text has been applied over the top.

Decided I needed the extra panel filling in and a small door added, I’ve made it 60” so you have to stoop to get inside.

Construction involved breaking down the easel I made as I needed the wood and I can’t stretch paper here until the weather is better. Once completed and fitted I painted the new panel and door.

The large drawing looks like this as a whole

Whole drawing flattened

Whole drawing flattened

Studio Build TWO

Studio 071118

A full day at the studio. A full day means arriving at 11:00 and leaving at 15:50, I am retired after all.

First off I stretched the paper in the foreground, I’ll be interest to see how this dries given the lack of heating and fabulous ventilation. The time is an hour ahead on this photo, I couldn’t be arsed to change the time when the clocks went back. I moved on to constructing the panels for part one of the installation.

I cut all the wood first, twenty eight short lengths and then moved onto assembling the panels. I got the timing down to fifteen minutes a panel when my portable drill finally charged up. Before that I was putting the screws in by hand, each panel has eight 100mm bullets and fourteen 25mm bullets. The photographs illustrate the very simple production line approach.

An aside for today about the electricity. The supplier is e-on and their standard tariff is around 15.75 pence per KWh. The meter read 277 when I took possession and read 283 after today’s work. The advantage of having only one socket to power everything from.

The video is here so you can hear the noise the rain makes on the corrugated roof.

Friday 9th November. Arrive at 10:45 am with a view to completing as much of the structure as I can. Obviously someone has been in on Thursday as the lights come on when I enter the building. As it’s Axisweb’s rental I have to accept access by them and the landlord without prior notice. This could be either and maybe I won’t see the visitor I’m expecting today.

I made eight frames today to add to the six from Wednesday, each frame uses 4×2.4m C16 CLS 3×2 (48x75mm) at £3.10 each length and one sheet of whiteface hardboard at £7.75, so £20.16 per frame plus screws. Eight 100mm bullets costs about £1.70 and sixteen 25mm bullets are 23 pence. So £22.09 x 14 is £309.20 for the whole assembly. You could say £310.00 including the electricity.

I’ve got one spare frame to test the surfaces for the internal finish and I’m still toying with having a door. There are also a few spots that will need extra screws to lie flatter. You can also see how dark it is, 15:30 in November.

Here ends week one of the new studio!

Studio 091118

Tomatoes

Over the summer I planted tomatoes for the first time in years. I didn’t get them in until May so the fruit ripened in September and was so ugly that may wife declared they could not be eaten. So here’s what I did with them.

This is the first painting – I tend to find first versions are over involved, become fussy and subject to continual finessing, and make me wish there was someone there to tie my hands so that I stopped. These are placed on a drawing board on my turntable in my attic studio. Oil on Paper 90×90.

Two tomatoes Oil on board 46x81cm

Two tomatoes Oil on board 46x81cm

As I progressed I used a lot of red and yellow paint so I started other paintings so as not to waste any. This is the first, on hardboard that was lying around. I’m trying to establish their weight and get the right shininess onto the surface.

Two Tomatoes Two oil on board 46x81cm

Two Tomatoes Two oil on board 46x81cm

another Two tomatoes version done at the same time and with the same ends. I decided I wanted to paint all eight with a different background to concentrate their redness.

Tomatoes on Yellow oil on paper 115x90cm

Tomatoes on Yellow oil on paper 115x90cm

The photograph doesn’t do complete justice to the yellow, the two tones are a lot closer.

At the same time I made two sets of three tomatoes.

three tomatoes two oil on 200lb watercolour paper A1

three tomatoes two oil on 200lb watercolour paper A1

I did these as I had some watercolour paper stretched and I wanted to see how the absorbency affected the paint.

three tomatoes oil on 200lb watercolour paper A1

three tomatoes oil on 200lb watercolour paper A1

By this time the tomatoes were beginning to get soft so I disposed of them humanely! They are heirloom beefsteak tomatoes and the biggest of them was just over a pound in weight and about eight inches across.

The whole episode took about three weeks and is easily enough red for one project.