The Geranium Project (R&D) 06

Monday was spent installing the curtain for Andrea’s installation and then positioning ‘Snow Line’ and hanging the companion drawing.

Monday Prep

Monday’s preparation

Andrea’s piece is a re-imagining of her recent MA exhibition about motherhood.

Andrea Berry - Installation

Andrea Berry – Installation

It has lighting and sound so this video gives a better impression.

On Tuesday we finished setting up the gallery downstairs when Luke and Kim brought their work from Barnsley. Adding a black curtain over the white for the downstairs installation and hanging seven of Kim’s large images. Luke placed his matrix of nine small prints at the foot of the stairs.

Composite Exhibition Image

Composite Exhibition Image

The evening really started for us at about 5:30 pm and we had a steady stream of visitors until I was able to lock up at 8:20 pm. Generally people were engaged and interested and we had up to fifteen people upstairs by 7:30 pm, so maybe between 80 and 100 visitors over the course of the night.

It makes it feel like the project is officially underway, even though that’s been the case for six weeks now.

The prosaic stuff. As this was part of the Doncaster Crawl, Doncopolitan contributed to the launch with posters and publicity as well as a good deal of coordination over the evening. The cost was limited to providing refreshments for our visitors so the evening cost me about £40.00 – It is useful to note that this cost is personal because no events were proposed in the project, it being R&D, but there will obviously be some costs associated with the planned review events in late September and December. Filling the holes from the last hang and painting added another £10.00 or thereabouts as I had white emulsion in and only needed to purchase filler. There is always a good amount of time spent prepping for a show and this used 22 hours of the 96 I’ve budgeted for physical assistance.  The shop makes a good venue and the exhibition will remain in place for a month or so.

NEW STUDIO Week Ten

Starting with the Easter Bank Holiday this week was truncated. I’d not been in the studio for six days when I arrived on Thursday morning. That’s not to say I’d been entirely idle, besides working on the 3d model for the garden film I’d done some sketches in the garden.

Sketchbook 20th April

Sketchbook 20th April

These are looking for the marks that make the garden and also have notes that point towards the solutions for the models.

When I did get into the studio I moved the screen out into the space and started a new sculpture.

Garden Screen

Garden Screen

The new sculpture ‘go,go,go, said the bird’ is one I started when I first moved in but put to one side.

'go, go, go, said the bird'

‘go, go, go, said the bird’

In common with a lot of the things I’m building this is made from furniture left behind by the previous tenant.

On Friday I painted it white.

'go, go, go, said the bird'

‘go, go, go, said the bird’

Ready to be drawn onto when it’s dry, and then made some sketches towards the newest big drawing.

sketchbook 26th April

sketchbook 26th April

The rest of the day was spent tidying and cleaning off the whiteboards that were left behind.

Out of studio diversion – ‘Snow Line’ alternatives.

It was wet & white & ...

It was wet & white & …

When I’m not in the shop building I’m generally either working on the computer or painting/drawing at home. ‘Snow Lines’ has occupied a good amount of this time in the last few weeks, particularly given that my slightly sprained ankle has meant that I couldn’t run. Running is an excellent way to empty your head.

I’ve thought about the poem on and off for a few years and for some reason it has come to the fore now. I don’t imagine why that might be, I’ll let the work that arises reveal its motivation or not. I imagined the ‘character’ of the poem as the space inside a cave, just on the snow line, injured in some way, perhaps falling into and out of existence as the temperature changes. I know, or think I know, that for Berryman Henry is the wounded creature contemplating his abandonment and feeling sorry for himself. I’d rather think of it as a literal piece for my purposes.

Drawing April 2019 - 28

Drawing April 2019 – 28

I began a drawing before I started to build the large sculpture, and I assembled a scrapbook in which I laid out the poem to play around with found materials. The drawing is based on a curled up creature, protecting itself. In this case a pangolin, I’ve seen a lot of news about pangolins lately. Apparently their scales are made of the same material as rhinoceros horn. I also found a hedgehog in the garden a week or two ago, during the day, curled up and obviously not well. The hedgehog hospital told me to put it under a bush and leave it. I buried it the next day. I’m wondering whether the drawing attracted the hedgehog or vice versa. I’m not really.

If I had to do the whole thing ...

If I had to do the whole thing …