hackwork

Hackwork

Another New Studio (although its getting old now)

This last month was not nearly as frustrating as last month but hasn’t involved a lot of development of theory.

Beginning with the completion of the ‘Circus Horse Model’ with the acrobat.

hackwork

Circus Horse 09 06 2025

Tumbler 020 06 2025

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Tumbler 04 06 2025

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Tumbler 06 06 2025

Tumbler 09 06 2025

Tumbler 18 06 2025

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Tumber Detail 20 06 2025

Tumbler 20 06 2025

The ‘Tumbler’ was taken to a finish by the 20th June, the finish inspired by Picasso’s ‘Harlequin with Glass‘ from 1905.

The previous images show the process as it continues through sanding, filling and priming before the paint finish and eventual varnishing.

The effect I want to achieve is that the rough finish with an imprecise pattern and a messiness that reflects the character of the figure.

Most of the month was spent on this sort of hackwork.

The next set of photographs show the building of the ‘Large Harlequin’ and the simpler parts of the installation.

Large Harlequin 06 06 2025

Large Harlequin 09 06 2025

Large Harlequin 18 06 2025

Large Harlequin and Bowl 25 06 2025

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You should always look down on a circus 27 06 2025

More views of the Circus development and drawings are on the website

Drawing

I’ve continued to draw every day;

The June drawings can be seen here

and the May images here

There is a link to the previous month’s Gallery on each page.

Or you can go the Galleries page on the top menu

The drawings are posted to  Instagram each day.

 

Massive Doubt

Massive Doubt

Another New Studio

‘You don’t know how paralyzing it is, that stare from a blank canvas that says to the painter you can’t do anything. The canvas has an idiotic stare, and mesmerizes some painters so that they turn into idiots themselves.’

Vincent Van Gogh, letter to Theo from October 2, 1884.

‘Learn to say “Fuck You” to the world once in a while. You have every right to. Just stop thinking, worrying, […] Stop it and just

DO’

Sol leWitt, letter to Eva Hesse, April 14, 1965

The vissicitudes of April 2025 continue to exert an influence on my ability to recognise what I’m doing as having any value whatsoever. With my massive doubt I’ve spent part of the weekend reading around artists’ responses to the black dog that hangs over us all from time to time and the quotes above come from this reading courtesy of the Marginalian [https://www.themarginalian.org/]. On Friday I chanced across a friend who has a studio in the same complex as me and she expressed her post exhibition ennui and I sympathised suggesting that I had made the error of revisiting past work and found myself limited by being unable to remember, if I ever knew, why I was making this set of work. She noted that we are surely all making the same thing over and over again and that the reasons will emerge in time.

Massive Doubt

Maquette for Circus Horse (after Seurat) 2nd may 2025

I’m not sure I’m entirely convinced but it reminded me that reasons are only important when you’re trying to sell the concepts rather than exercise them.

White Horse (larger model after Uffington) 12th May 2025

The work illustrated shows the progress I’m not making and points up the amount of judgement I’m applying as I move.

Massive Doubt

Circus Horse (larger model after Seurat) 14th May 2025

So the large horse is progressing and the figure for the acrobat is made.

Circus Horse Maquette (after Seurat) 14th May 2025

Massive Doubt

Circus Horse larger model with Acrobat 16th May 2025

Massive Doubt

Circus Horse Maquette (after Seurat) with maquettes in progress 16th May 2025

Studio 19th May 2025

While I’m suffering this massive doubt and trying to find out why I’m doing this I came across this nice little presentation by David Thomas about the “circus as metaphor”

Larger Circus Horse with Acrobat 21st May 2025

The reference images have been created over several years, the original circus drawings were made in 2003/4and the A1 drawings and newer versions were made in 2021. The drawings can be seen together in this gallery.

Massive Doubt

Circus Ring Drawing 21st May 2025

I started a new cirucs ring drawing and it pointed up the limitations of the metaphor. There is no chaos in the circus but there is movement and distraction and a seeming riotous randomness that is in fact carefully choreographed. As with anything that is characterised by movement a still image can appear to suggest a lack of action.

Circus Ring Drawing 23rd May 2025

The drawing, to date, is trying to suggest a continuous movement whilst simultaneously reflecting the intended appearance of the piece as a sculpture. Scale is everything.

Large Tumbler in progress 28th May 2025

At the end of the month, while I’ve still got massive doubt, I’ve started to get the tumbler built at life size with the intention of building the complete piece – which will mean a life size horse – from styrofoam. The drawback to this is the amount of sanding required and the dust that gets everywhere while you’re sanding. I cut the basic shape with a hot wire but there is always a good deal of smoothing to be done.

Large Tumbler in Progress 30th May 2025

Drawing

I’ve continued to draw every day;

The May drawings can be seen here

and the April images here

There is a link to the previous month’s Gallery on each page.

Or you can go the Galleries page on the top menu

The drawings are posted to  Instagram each day.

Too Much Space

Too Much Space

Another New Studio

I’m currently torn between the idea of having a strong narrative that is followed through a particular space and the idea of a truly non-narrative space that awaits the visitor to build a story. In a sense like Homo Sapiens Nikolaus Geyrhalter‘s film from 2016 where the earth is seen to be slowly reclaimed by nature. The construction of a story, or do I mean ‘meaning’?, from an experience is something I’d imagine most of us do all the time. I have found that visitors to my virtual environments find it extremely difficult, as if the media itself leaves them demanding to be led.

https://www.imdb.com/title/tt5450084/

‘Solitary’ 03/01

At the beginning of the month I’d started this drawing while struggling with Unity, so I carried on. First washing then the background over in a filthy grey,

‘Solitary’ 06/01

then building the front tree back out and adding extra branches and twigs.

‘Solitary’ 08/01

Too Much Space

‘Solitary’ 13/01

Adding some lighter hues to the background between the trees and working to create a slight corona effect.

‘Solitary’ 31/01/25

In the end the tree, ‘Solitary’, looks like this and it might be finished.

Flower Painting 2 06/01

I worked over the second flower painting, darkening some of the background and adding depth.

Flowerbed 15/01

As I was still waiting for downloads at various parts of the month I started a new drawing from the flower bed.

Flowerbed 17/01

Flowerbed 20/01

The work is reaching for the multi layered and complex feeling of the overgrown bed while retaining sufficient separation between the plants. Also, hopefully, respecting the qualities of drawing with pastels.

Flowerbed 31/01

Still a lot of work required.

Abandoned Flower painting

Abandoned Flower Painting

Abandoned Flower Painting

I worked on a third square painting from the flower beds but it wouldn’t behave itself, three stages above and below the one I painted out, it’s white now.

Abandoned Flower Painting

Once I got to grips with the HDRP rendering in Unity I started to work through the scenes I wanted to place in ‘Woolgathering’

The first attempt at a meadow.

The second, attempting to get closer to the text of John Clare’s ‘Helpstone Green’

A walk up and down the hill in the second version.

And a very quick run through of the piece as it is at present. I’ve added the red gardens pieces into the mix as well at the back of the original garden. Ultimately there will be more development of that world as I move the sculptures and new ones I building now into the various scenes.

Drawing

I’ve continued to draw every day;

The January drawings can be seen here

and the December images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to  Instagram each day.